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FYI

Dead Soft: The Static

The BC band softens its sound on a new dream-pop meets shoegaze single. Ethereal vocals float atop atmospheric guitars in mesmerising fashion.

Dead Soft: The Static

By Kerry Doole

Dead Soft - "The Static" (Arts & Crafts): Defining the sound of this BC band seems to be problematic. The press bio tag of "grunge-punks" is most certainly not an accurate description of this brand new single.


"The Static" is a moody dream-pop meets shoegaze track that brings the likes of Galaxie 500 to mind. The ethereal vocals of bassist/vocalist Keeley Rochon float atop the guitar work of Nathaniel Epp and Kyle Schick in beguiling fashion.

Rochon says of the tune: "The song represents the feeling of being alone and afraid, having a partner to rely on but becoming aware of the fact that there's more to life than blacking out for the entirety of your workday only to get home and collapse in the arms of the one you love. It's also a love song."

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Dead Soft was founded in 2011 by partners Epp and Rochon and has undergone a few personnel changes. A self-titled debut came out in 2014, followed by an EP, New Emotion, late last year. The couple now lives on Gabriola Island where they run a landscaping company in between writing music and touring.

The band is currently playing club shows on the US west coast, concluding with an April 18 gig at Vancouver's Static Jupiter.

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Publicity: Ken Beattie, Killbeat

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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