advertisement
Music News

Drake, The Weeknd and Justin Bieber Among Canadians on IFPI’s Biggest-Selling Global Artists List in 2025

The homegrown trifecta ranks among the top 20 worldwide, as Bieber re-enters the chart for the first time in five years.

Drake
Drake
Norman Wong

Drake, The Weeknd and Justin Bieber continue to flex their worldwide status.

This trio of Canadian artists have ranked as some of the biggest-selling global artists of 2025 by the IFPI (International Federation of the Phonographic Industry).


The organization represents the recorded music industry worldwide and releases its IFPI Global Artist Chart annually to recognize the biggest-selling artists of the previous calendar year — combining streaming, downloads and physical formats in every country with data sourced directly from over 8,000 participating record labels.

While pop star Taylor Swift holds down the No. 1 spot — for the fourth year in a row — Drake and The Weeknd come in at No. 3 and No. 4, respectively. Rounding out the top 20 is Bieber, who re-enters the ranking for the first time since 2021.

advertisement

The IFPI’s figures are converted using a unique methodology to form a single, global chart ranking that covers an artist’s entire discography, not exclusive to new material released in the calendar year.

Top 20 IFPI Global Artist Chart 2025

Position, Prior Year, Artist

1, 1, Taylor Swift

2, 5, Stray Kids

3, 2, Drake

4, 7, The Weeknd

5, 20, Bad Bunny

6, 9, Kendrick Lamar

7, 13, Morgan Wallen

8, 10, Sabrina Carpenter

9, 4, Billie Eilish

10, Re-entry (2020), Lady Gaga

11, 11, Ariana Grande

12, NEW, Tyler, The Creator

13, NEW, Mrs. GREEN APPLE

14, 3, SEVENTEEN

15, 8, Eminem

16, 19, Linkin Park

17, 6, Zach Bryan

18, Re-entry (2023), Ed Sheeran

19, Re-entry (2023), SZA

20, Re-entry (2021), Justin Bieber

Drake celebrated last year's Valentine’s Day with a bang, releasing $ome $exy $ongs 4 U, an R&B collaborative album with PARTYNEXTDOOR. The record spent three weeks at No. 1 on the Billboard Canadian Albums chart, spawning some of the rapper’s catchiest hits, including the bombastic “Nokia,” which livened up the streets of Toronto and took off on social media — but only peaked at No. 5 on the Billboard Canadian Hot 100. It marked Drake's first full-length release since his beef with Kendrick Lamar in 2024.

advertisement

Later in the year, Drizzy teased his forthcoming record Iceman, with charting singles “What Did I Miss?”, “Which One” featuring U.K. rapper Central Cee and “Dog House” featuring Yeat and 2025’s Billboard Canada Global Rising Star, Julia Wolf.

Between the last two global artist rankings, Drake has shifted from No. 2 to No. 3, but maintaining a spot in the top five is a major feat for the Toronto rapper.

One spot down, The Weeknd rises to No. 4 on this year’s ranking, following a spot at No. 7 the previous year. The Scarborough native kicked off the year with Hurry Up Tomorrow, the third and final installment of his After Hours/Dawn FM trilogy. The album became the first new release of the year to hit No. 1 on the Canadian Albums chart, marking the seventh chart-topping release for the artist, who reportedly will now go by his birth name, Abel Tesfaye.

The biggest single from Tesfaye’s album was “Timeless,” featuring Playboi Carti, a track that performed live as the R&B singer made his Grammys comeback last year. Despite peaking at No. 4 on the Canadian Hot 100, the soaring track represents the sole Canadian entry on IFPI’s top-selling Global Singles chart at No. 17, moving 0.94 billion units. That list is topped by Bruno Mars and Rosé’s No. 1 single “APT.”

advertisement

The R&B singer spent the majority of the year on the road, touring the trio of albums across the globe and became one of the biggest tours of 2025. In his home country, he set a record for performing the most shows by a Canadian male artist at Toronto’s Rogers Centre last August. Over two weekends, he completed four sold-out dates at the venue.

advertisement

Hurry Up Tomorrow ranks at No. 14 on IFPI’s Global Albums chart, right behind Tate McRae’s So Close to What at No. 13 — the album that scored the pop star her first No. 1 album in her home country and recently climbed back to No. 2 following the deluxe release. Swift’s The Life of a Showgirl claims the No. 1 spot on IFPI’s ranking after breaking multiple records in Canada.

Five years later, Bieber is back. After landing a spot on the ranking four years ago — presumably due to the success of 2021’s Justice — the pop and R&B singer dealt with a series of personal issues, releasing a dribble of singles over the last four years.

Last summer, everything changed. Bieber surprise-dropped his seventh studio album, Swag, in July. Leaning into the singer’s pop and R&B roots, the project prioritizes experimental production and instrumentation. The album hit the charts in a big way — landing the No. 1 spot on the Canadian Albums chart and scoring 17 entries on the Canadian Hot 100, including “Daisies” and “Yukon.” Two months later, he followed it up with Swag II.

Bieber has continued to ride the album’s momentum, reportedly securing the highest payout for a Coachella headliner, receiving four Grammy nominations and most recently, taking the stage at the ceremony with a captivating, stripped-back performance — that only took 15 minutes to rehearse.

Find the full ranking of IFPI’s lists here.

advertisement
Jisoo in Netflix's 'Boyfriend on Demand.'
Courtesy of Netflix

Jisoo in Netflix's 'Boyfriend on Demand.'

Pop

From BLACKPINK to Running Her Own Company to ‘Boyfriend on Demand’, Jisoo Enters Her Most Mature Phase

The singer-actress is the cover star of Billboard Brasil's 21st edition.

In 2011, a teenager from Gunpo, a city 30 km from Seoul, crossed the South Korean capital to audition at YG Entertainment. The 16-year-old faced a line of hundreds of candidates, performed for the judges, and left the building without knowing the result of the audition that would change her life forever. Shortly after, Jisoo joined the agency’s exclusive trainee program. She went through countless hours of rehearsals and music, singing and dance classes over five years before debuting in BLACKPINK alongside three other girls — and the rest is history with a capital H. The group was one of the driving forces behind K-pop’s surge in global popularity over the following decade.

advertisement

keep readingShow less
advertisement