advertisement
FYI

Bahamas: Own Alone

The mellow songsmith delivers a frisky tune featuring downbeat lyrics.

Bahamas: Own Alone

By Kerry Doole

Bahamas  - Own Alone  (Brushfire Records): In a quiet and organic way, Toronto singer/songwriter/guitarist Afie Jurvanen (aka Bahamas) has been writing one of the biggest success stories in Canadian music.


His mellow stylings have resonated amongst both peers and a fast-growing international fan base, and they’ll be pleased to hear the news that a new (fifth) album, Sad Hunk, is set for release on Oct. 9.

This is the followup to 2018 full-length Earthtones, a Grammy-nominated record that earned him the Adult Alternative Album Of The Year award at the 2019 Junos (a previous release, Bahamas Is Afie, helped him win the Songwriter Of The Year Juno and it also won for Adult Alternative Album Of The Year).

advertisement

Own Alone, the first advance cut from Sad Hunk, is an appealingly frisky tune rather at odds with the title and lines like "cold and broke and lonely me." It doesn't sound melancholy at all, and the tempo of the tune actually suggests the narrator may be enjoying that status. A crisp and fluent guitar break elevates the song mid-tune, and the production has the clarity typical of Bahamas releases.

Assisting Bahamas on the album is an A-list cast of Toronto players and past collaborators, including Christine Bougie (guitar), Don Kerr (drums), Mike O’Brien (bass), and Felicity Williams (vocals), with recording by longtime producer and multi-Grammy nominee Robbie Lackritz (Feist, Jack Johnson, Robbie Robertson). It also features the guitar work of Sam Weber, a musician whom Jurvanen discovered on YouTube. 

Explaining the album title in a press release, Jurvanen recalls that “Something like ten years ago, I did a photo shoot, and in all the pictures they sent back, I was lit half in shadow, looking all brooding and mysterious. When my wife saw the photos, the first thing she said was, 'Whoa, sad hunk,' and after that, it became sort of a joke among our friends.”

advertisement

“I definitely use music to work things out for myself,” he adds. “It’s possible I’m too open sometimes, but I really don’t know any better way to be. If I tried to just go write fun songs about hot dogs or something, I’d probably fail.”

The numbers around Bahamas' material shows that failure has not been an option. He currently averages over 2.5M regular monthly listens on Spotify with more than 450M streams to date. Lost In The Light, from 2012’s Barchords, is nearing 100M streams, while All The Time, the lead single from Bahamas Is Afie, recently passed 70M streams.  

Peers publicly expressing a love of his work range from Taylor Swift to BTS, Jack Johnson, Robbie Robertson, and Wilco to kd lang.

Links:

Website

Facebook

Twitter

Instagram

Publicity: Stephen McGrath, Nightshop Media

Management: Robbie Lackritz 

Agent: Rob Zifarelli 

Radio Promo: David Tysowski, canvas media

Quebec & French language Promo: Simon Fauteux, Six Media 

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement