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On the Tube: Richard Flohil's Recommendations

This is the third in an irregular column about what our readers are watching on the Idiot Box.

On the Tube: Richard Flohil's Recommendations

By Richard Flohil

This is the third in an irregular column about what our readers are watching on the Idiot Box. With Christmas on the horizon, and the plague ongoing, it’s a given we are going to be trapped indoors and part of our routine is going to be spent watching television.


Contributing today is Richard Flohil – ever brimming with colourful stories, often trenchant opinions and an unerring instinct for zeroing in on the nut of what's at hand which is precisely what he does in today's opinion piece.

GLOW — the Gorgeous Ladies of Wrestling. A hilarious, well-written series of about a bunch of women wrestlers and the B-movie producer who creates their late-night cable TV show.  Sounds awful, but it ain’t; well written, perfectly acted, and I have fallen hopelessly in love/lust with Alison Brie who is one of the two female leads.  (Netflix)

DOWNTON ABBEY. My apartment mate got me into this, and to my surprise, I'm loving it. A comedy of English manners, starting with the sinking of the Titanic, and trundling through to the second World War, with the lords and ladies upstairs and the servants in the basement. England has not improved. (Netflix)

EMILY IN PARIS. Total candy for the eyes and mush for the mind. Two seasons of watchable rubbish exploring every single cliché about American and French attitudes to each other. All French women are beautiful and stylish, all Parisians are rude, all Americans are stupid, etc. Don’t even start this; it’s addictive.  And there’s a third season on the way and I can’t wait. (Netflix)

THE SOPRANOS. Totally missed this when it first came out.  Perfect acting from a core of cast members, smartly written, constantly intriguing, and a fascinating multi-season epic about the Mafia in New Jersey. One of the best shows on any of the streaming services. (HBO)

RAKE. A multi-season saga about an inept, drunken, drug-addicted, serial womanizer and gambler — an Australian lawyer who skates through disaster after disaster. Spoiler: he eventually becomes prime minister. Warning: lots and lots of lovely nudity. Verdict: Funny as fuck. (Netflix)

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ORANGE IS THE NEW BLACK. My apartment mate thinks this apparently endless women's prison drama is funny. I find it egregiously depressing, but I can’t stop watching it. (Netflix)

SUITS. This shot-in-Toronto series made Meghan Markle famous, and the story is that she met Prince Harry at a party at Ben Mulroney’s place; I can’t confirm this since I wasn’t invited. It's total rubbish, of course, but it employed a who's-who of Toronto under-employed actors (including a couple of my friends; hello Sonia Cote, hi Loryn Taggart). (Netflix)

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Executive of the Week: Meet Darren Gilmore, the Canadian Manager Behind the Scenes of Hilary Duff's Chart-Topping Comeback
Management

Executive of the Week: Meet Darren Gilmore, the Canadian Manager Behind the Scenes of Hilary Duff's Chart-Topping Comeback

Working with artists like Mother Mother and Boy Golden, the president of Watchdog Management has used his veteran experience in the Canadian music industry to help orchestrate the comeback of the year so far with the No. 1 success of Duff's new album Luck... Or Something.

Hilary Duff is back, and her comeback is one of the best-executed in years — especially in Canada.

Her new album, Luck… Or Something, debuted last week at No. 1 on the Billboard Canadian Albums chart, a feat she hadn't achieved in more than two decades. Building on the buzz of her intimate show at History in Toronto earlier this year that had the whole country buzzing, she's now coming to 10 different Canadian cities on her Lucky Me World Tour in 2026 and 2027.

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