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Bad Bunny Super Bowl Halftime Show Pulls 128.2 Million Viewers For Fourth-Biggest Audience Ever

The second half of the Seattle Seahawks blowout of the New England Patriots drew 137.9 million viewers, making it the highest peak viewership in U.S. TV history.

Bad Bunny and Lady Gaga perform at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

Bad Bunny and Lady Gaga perform at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

Christopher Polk/Billboard

Bad Bunny‘s triumphant, joyful halftime show helped boost Super Bowl LX to the highest peak viewership in U.S. TV history. While Benito didn’t de-throne Kendrick Lamar as the most-watched halftime ever, according to figures released by Nielsen Big Data + Panel on Tuesday (Feb. 10), an estimated 128.2 million viewers tuned in to watch his star-studded performance, the first halftime show to be almost entirely in Spanish.

That makes it one of the most-watched halftime shows in Super Bowl history, coming in at fourth place all-time behind last year’s Kendrick Lamar show (133.5 million viewers), Michael Jackson’s 1993 set (133.4 million viewers) and Usher in 2024 (129.3 million).


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In addition, NBC reported that the second half of the game set an all-time media record with 137.8 million viewers, which set a new record for the highest peak viewership in U.S. TV history as the Seahawks expanded their 6-0 halftime lead into a 29-13 blowout.

Overall, Nielsen said that Sunday’s game was the second most-watched Super Bowl ever, just behind last year’s 127.7 million viewers. It was also the most-watched show in the history of NBCUniversal.

While Benito’s performance featuring guests Lady Gaga and Ricky Martin drew ire from many on the right, including President Trump, the set that warmly honored his Puerto Rican roots and ended with the singer shouting “God Bless America!” as he ran through a list of all the countries in the Americas was seen by many as a gesture aimed at spreading love and understanding during a turbulent time in U.S. history. The set ended with the singer holding up a football with the message “Together we are America.”

In a nod to Bad Bunny’s global stardom, NBC also reported that the Telemundo broadcast averaged 3.3 million viewers, making it the most-watched Super Bowl in the U.S. Spanish-language network’s history, with the network’s coverage peaking during halftime with an average of 4.8 million viewers, adding up to the most-watched Super Bowl halftime show in Spanish-language history.

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The social media numbers were also in keeping with Benito’s global dominance, with total social consumption — including fans, owned platforms, broadcast partners, influencers and more — setting a record of four billion views after the first 24 hours, a 137% increase year-over-year. In addition, more than half (55%) of all NFL social views came from international markets.

By contrast, Turning Point USA’s “All-American Halftime Show” featuring Kid Rock and a handful of other country singers on a pre-taped livestream attracted 19 million views on YouTube in its first 24 hours, while Bad Bunny’s YT replay had more than 24 million in that time frame on top of the historic traditional TV tune-in. According to The New York Times, as more than 128 million tuned in to the Benito Bowl, around 6.1 million concurrent viewers were tuning in live to the at-times glitchy, out-of-sync “All-American Halftime Show.”

This article was first published by Billboard U.S.

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Olivia Rodrigo
Chad Moore

Olivia Rodrigo

Music News

Olivia Rodrigo Searches for the Cure on ‘You Seem Pretty Sad for a Girl So in Love’: Stream It Now

The project features Billboard Canadian Hot 100 No. 1 "Drop Dead" as well as a collaboration with Robert Smith.

Olivia Rodrigo has finally released her third studio album, You Seem Pretty Sad for a Girl So in Love, proving once again that she’s the queen of moody love songs.

The pop star’s new LP arrived Friday (June 12), complete with 13 tracks exploring the spectrum of romantic love, from the first rush of the honeymoon phase to the creeping in of uncertainty and the emotional tidal wave that hits after it ends. It comes three years after she last released an album — having topped the Billboard 200 with 2023’s Guts — and even longer since she first established her proficiency for capturing the emotional turbulence of love on debut LP Sour.

This article was first published by Billboard U.S.

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