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Chart Beat

Billboard’s Top Streaming Albums Chart Launches: Bad Bunny’s ‘Nadie’ Leads Inaugural List

The top five is rounded out by the latest albums from Drake, Morgan Wallen, Rod Wave and Zach Bryan.

Bad Bunny

Bad Bunny


STILLZ

Top Streaming Albums joins Billboard’s portfolio of weekly album charts, commencing with the chart dated Oct. 28, reflecting activity in the week ending Oct. 19. Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana is the chart’s inaugural No. 1, with 176,000 streaming equivalent album units (equaling 239.56 million on-demand official streams of the set’s songs) earned in the U.S. in the tracking week, according to Luminate.

Top Streaming Albums, like Top Album Sales (also 50-positions deep), is a component chart to the overall Billboard 200 albums chart. Top Album Sales tallies the top-selling titles of the week, by traditional album sales.


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Rounding out the top five of the first Top Streaming Albums chart is Drake’s For All the Dogs, Morgan Wallen’s One Thing at a Time, Rod Wave’s Nostalgia and Zach Bryan’s self-titled album at Nos. 2-5, respectively.

The 50-position chart lists the most-streamed albums of the week in the U.S., as compiled by Luminate. Titles are ranked by streaming equivalent album (SEA) units, where each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. If an artist has multiple albums with the same song, SEA units for that song are generally assigned to whichever album sells the most by traditional album sales in a given week.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

This article was originally published by Billboard U.S.

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Executive of the Week: FACTOR's Meg Symsyk on Why Supporting Canadian Music Means Supporting Cultural Sovereignty
Business

Executive of the Week: FACTOR's Meg Symsyk on Why Supporting Canadian Music Means Supporting Cultural Sovereignty

The president and CEO of FACTOR, one of Canada's most crucial music funders, explains why it's more important than ever to support homegrown culture and give it the opportunity to compete on the global stage.

When it comes to supporting Canadian music, FACTOR's influence is immeasurable. One of the most crucial funders of art in the country, the non-profit's impact is seen with its logo across countless acclaimed records and its name shouted out at concerts and award shows. But for president & CEO Meg Symsyk, it's not just about supporting Canadian music or even Canadian artists: it's about the sovereignty and identity of the country itself.

“Buying locally is more important than ever because of that consumer awareness and structural support. Canadians need to be encouraged to be more intentional. This last year and a half with the tariffs and the trade wars has put that on everyone's front burner,” she explains.

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