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Under The Hood Of Shawn Mendes' New Album

On his third album, the former Vine star grows into a persona that’s playful, gently libidinous, and safely menace-free, but his music too often falls on the wrong side of beige.

Under The Hood Of Shawn Mendes' New Album

By External Source

"Shawn Mendes wasn’t born and raised in the Toronto suburbs, he might’ve been tank-grown in an underground lab at a major label’s behest. He’s a genial, grounded young performer with a body “somewhere between fitness model and party trick”—John Mayer’s words, not mine—and a deep passion for adult contemporary pop-rock. He takes hundreds of pictures with fans in a single sitting without batting an eye. And when you hear hit singles like “Stitches” and “There’s Nothing Holdin’ Me Back,” it’s like you’re watching the cutest counsellor at your summer camp grab an acoustic guitar and surprise a horde of pre-teens with his heavenly pipes.


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"Mendes’ path to upper-echelon stardom began with jaunty covers of mid-’10s hits on Vine, and his first two albums—2015’s boyish Handwritten and a more muscular 2016 follow-up, Illuminate—channeled inoffensive, mercenary songwriters working in the same vein: Mayer, Ed Sheeran, Jason Mraz. Shawn Mendes, his third and most ambitious full-length, breaks the mould by suggesting alternative paths Mendes might walk. The guitar is still the focal point of his attack, whether it’s vigorously strummed (anthemic lead single “In My Blood”) or ever-so-gently picked. But he dips a toe into modern pop with help from expert collaborators like Julia Michaels and Ryan Tedder on “Nervous” and “Particular Taste,” and he dirties up his goody-two-shoes with a handful of smoldering, grown-and-sexy dalliances.

"The songs in the latter category capture Mendes at his most engaging and mature; you hear them and understand why Mayer told Zane Lowe that Mendes is “John Mayer 2.0, without the weird software viruses.” Sublime single “Lost in Japan” is air-fried pop-funk, light and crispy with just a whisper of grease. It uses Mendes’ youth and fame to his advantage: It’s not hard to imagine him—rich, horny, and unoccupied—chartering a jet into Tokyo for a quick hookup and a stroll through the cherry blossoms..."

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– Excerpted from Jamieson Cox's review of Shawn Mendes' eponymously-titled third album, as published by Pitchfork.

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Val Blavatnik
Courtesy WMG

Val Blavatnik

Business News

Val Blavatnik to Oversee Warner Music Canada in New Role at Warner Music Group

Blavatnik will oversee Warner Music Canada as managing director of Warner Music North America, U.K. and Corporate Development at WMG. As part of a slew of executive announcements, Simon Robson will be leaving the company, while Alejandro Duque takes the top international role.

Val Blavatnik, the 28-year-old son of Warner Music Group majority owner and vice chairman Len Blavatnik, has been named managing director of Warner Music North America, U.K. and Corporate Development at the Warner Music Group, the company announced Friday (Sept. 25). In his new role the younger Blavatnik, who has held several roles at the company in recent years, and has been a board member since 2023, expects to “unify and drive business and operational strategy across these markets while guiding the company’s investment strategy to support growth,” according to a press release.

The Blavatnik announcement is part of a flurry of new executive announcements that CEO Robert Kyncl made this morning. In addition, Atlantic Music Group chairman/CEO Elliot Grainge will take on ADA in the U.S. as its new chairman, while Alejandro Duque, who has held the dual roles of president of Warner Latin and president of ADA since last July, has been named president of Warner Music International, adding Asia-Pacific and Europe, the Middle East and Africa under his oversight. (Duque will continue to oversee ADA outside the U.S.) Zach Friedman, currently COO at Atlantic Music Group, will add the title of vice chair of ADA U.S. to his resume.

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