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FYI

Prism Prize Video: Jean-Michel Blais - Blind

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent recent Canadian videos, including this one from an acclaimed Montreal pianist/composer. Slaight Music is Patron Sponsor for the Prism Prize.

Prism Prize Video: Jean-Michel Blais - Blind

By Kerry Doole

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile prominent recent Canadian videos, including this one from an acclaimed Montreal pianist/composer. Slaight Music is Patron Sponsor for the Prism Prize.


Jean-Michel Blais - Blind

For the music video for Blind, Jean-Michel Blais teams up with director Mauriès Matos to present a cinematic narrative, which explores the idea of consciousness and self. The video follows a young woman in the midst of important experimental research. During her study, she inserts herself into the process and discovers a type of plant, which helps people reach their own consciousness. Before announcing this major discovery, she experiences her first encounter with Self.

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Director Matos also states that an underlying theme of the video is the idea of Belief as a source for change:  “That magic isn’t an effect. It’s a way to create change through processes that you can’t entirely understand. There are aspects of human reality we can’t measure, supernatural things that happen. Magic means you can give yourself an opportunity to stop analyzing things.”

Production Credits:

Director: Mauriès Matos

DOP: Ariel Méthot

Talent: Deragh Campbell

Executive Producers: Conor Illsley, Jon Riera

Producer: Stephanie Hooker 

Production Manager: Shannon McNally

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Billboard Canada 2025: The Covers
Media

Billboard Canada 2025: The Covers

Here are all of Billboard Canada’s covers of 2025, spotlighting artists, executives and career moments that shaped the year.

A Billboard Canada cover marks a moment when an artist, a career or an industry story reaches a point worth reflecting on. Across 2025, those moments ranged from chart-defining comebacks and first-ever interviews to farewell tours and leadership milestones that shaped Canada’s live and recorded music landscape. Each cover reflected not just who was in focus, but why that story mattered at that specific time.

This year was bookended by big Canadian rock comeback stories: Sum 41 calling it quits after one of their most successful albums, and Three Days Grace entering one of their highest-charting phases after a reunion with original lead singer Adam Gontier. It was a year of rising stars entering the next level, like The Beaches, and artists returning to their roots, like Daniel Caesar and his intimate show at NXNE 2025. And it was a major year for Live Nation, the dominant live promotions company that has helped turn Toronto into one of the biggest global touring markets.

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