By David Farrell
Guillermo del Toro, the Hollywood director most famous for bringing weirdly sensual and subtly human monsters to the big screen, owes some of his success to Toronto.
His latest dystopian fantasy, “The Shape of Water,” for which he received best picture and director Oscars this year, was shot in and around the sprawling metropolis. Now he’s there prepping for his next feature film, “Scary Stories to Tell in the Dark,” the latest in a long list of Toronto credits in Del Toro’s Goth and horror-infused oeuvre.
“The main complaint of American and Canadian producers is that they can’t find enough studio space in Toronto,” says Paul Bronfman, chairman of Pinewood Toronto and cousin of Edgar Bronfman Jr., the former vice chairman of Vivendi Universal. “We’re turning down productions because we can’t find space for them, but that’s going to change.”
Multicultural and immigrant-friendly Toronto has been a film and television hub for decades, a position enhanced by the influential Toronto International Film Festival. But the city only recently achieved critical mass, bolstered by major Hollywood titles such as Warner Bros’ “Suicide Squad” and the popular television series “Star Trek: Discovery,” both of which shot at Pinewood Toronto.
Spending on film and TV productions in Toronto reached a record $1.53 billion in 2016, up from $1.18 billion in 2015, according to city officials. Production spending fell slightly to $1.37 billion last year, but 2018 is on track to be another strong year and could tie the record, city officials say.
About half of the expansion at Pinewood Toronto will be paid for by Bell Media, owner of Canada's highest-rated television network, CTV, 30 specialty channels and digital assets. The media company in March acquired a majority stake in Pinewood Toronto.
“Hollywood is very interested in the fact that we now own a studio because it creates exciting new opportunities for producing joint-venture content,” said Randy Lennox, president of Bell Media, a division of BCE Inc., Canada’s equivalent of communications giant AT&T.
Pinewood Toronto Studios will increase its number of soundstages from 11 to 16 over the next year. — Los Angeles Times
One month after a federal judge approved AT&T’s merger with Time Warner, ruling that the Justice Department’s antitrust suit had failed to make its case against the merger, the DOJ has decided that the 21-month-old saga isn’t over yet. The DOJ is appealing the ruling, according to court documents filed Thursday. — AdWeek
Netflix has a generous, throw-it-at-the-wall-and-see-what-sticks attitude and they’ve produced some greats (Orange Is the New Black, the first two seasons of House of Cards, Stranger Things). But much of their stuff is pleasantly good, not loyalty-oath-pledging fantastic.— The Star
The complete list of Emmy nominations was released today and while HBO’s “The Game of Thrones” came out ahead with 22 nominations (the most for any series), Netflix surpassed HBO as the most nominated network/platform with 112 nods, putting the Warner media-owned network’s 17 years of being the most nominated entertainment company to an end. — Videoink
YouTube TVwent dark during the World Cup soccer semi-final match between England and Croatia on Wednesday.
The service tweeted an apology for the “horrible” timing of the livestream malfunction at about 3 p.m. New York time Wednesday. The outage came less than an hour after YouTube TV tweeted a tongue-in-cheek jab at sports fans cheering for one of the teams in the match: “Hey #ENG fans, are you guys okay?” — Bloomberg
The battle for control of European pay-TV giant Sky PLC heated up Wednesday, with 21st Century Fox raising its bid and cable company Comcast Corp. quickly countering later in the day, the latest jockeying in a cross-Atlantic media deal showdown. — The Wall Street Journal