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AI-Generated Album Appears On Nova Scotia Musician Ian Janes' Spotify Profile Without His Permission

Janes reportedly received a notification from Spotify nudging him to promote a new release — but he hadn't released any new music. Though the album was later removed from his profile, it's still available on Spotify under the name Ian Janes.

Ian Janes

Ian Janes.

Ian Janes' website

Nova Scotia musician Ian Janes is speaking out against music by Ian Janes.

Janes, a Music Nova Scotia Award winner, says an AI-generated album was falsely added to his Spotify profile, under his name.


He tells CTV that he found out when Spotify sent him a notification urging him to promote his new release — but he hadn't released anything new.

When he went to his Spotify profile, he says, there was indeed a new album, but not one he had recorded.

"It's AI-generated music that you would listen to when you're on hold," he describes to Global. The album was removed from his profile but remains on Spotify under a separate profile, also using the name 'Ian Janes.' Janes' lawyer says that it's not technically a copyright violation unless the music uses Janes' likeness or his actual compositions.

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The album bears the hallmarks of fraudulent music designed to score streams. It has a title that means nothing but seems poetic, Street Alone, and a large number of tracks (20). Several of the songs are named after popular hits but are not actually covers of those songs, like "Ho Hey," "Summertime Sadness," and "Give Your Heart A Break." The music sounds like it could be made entirely within Ableton or Logic Pro.

As AI technology becomes more advanced and more widely adopted, cases like Janes' are likely to become a lot more common.

Gaming the streaming sites with fraudulent tactics is already a popular practice. Last year, nine Canada-based music streaming sites were taken down for streaming manipulation. IFPI, the worldwide recording industry association, and Music Canada had filed a complaint stating that the sites were selling fake streams to boost play counts. When play counts are fraudulently boosted, that reduces the revenue shares paid out to human musicians.

There's already a lot of conversation about musicians' compositions being used — with or without their consent — to train AI tools that will ultimately aim to replace them. Artists like Billie Eilish, Metro Boomin and Arkells signed a letter in 2024 urging AI developers to "cease the use of artificial intelligence (AI) to infringe upon and devalue the rights of human artists."

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Janes' situation is an ironic, but still arguably exploitative, inversion of that concern: it's not his music being used, but his stature as a musician. When listeners search Ian Janes on Spotify, Street Alone comes up under 'albums.'

It's not clear how the distributor who uploaded Street Alone was able to gain access to Janes' profile. But Janes' situation demonstrates a clear risk for independent musicians as these tactics proliferate.

“If a name isn’t proprietary, and titles aren’t proprietary, what’s going to keep an AI music company from using the name of existing musicians and using the names of the songs they’ve released?” Janes tells CTV.

Janes encourages supporting musicians directly, by buying merch and going to shows. He has a gig coming up on March 23 at The Carleton in Halifax, and poked fun at the situation in his show announcement.

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"Solo acoustic. Two sets. Send requests in the comments (nothing from ‘Street Alone’ please)," he shared, alongside a graphic of a computer playing guitar.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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