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FYI

YouTube, My Television of Choice

It started over Covid, that shift to late-night YouTube television. That half hour before Stephen Colbert or Jimmy Kimmel. Late night news is mostly 6 PM news repacked and less appealing.

YouTube, My Television of Choice

By Bill King

It started over Covid, that shift to late-night YouTube television. That half hour before Stephen Colbert or Jimmy Kimmel. Late night news is mostly 6 PM news repacked and less appealing.


First, it was those brief clips of Howard Stern’s morning broadcasts. The interviews mostly were telling, well researched and always entertaining. Other times, Stern ran with the in-house crew of weird and often hilarious sidemen. Ronnie the Limo Driver and his puppet clone to a long-running cast of misfits and phoners. All interesting to a point. Then the big reveal. Beyond the podcasting celebrities – Joe Rogan, Marc Maron, Keith Olbermann – actual home-made shows offering a wealth of inside knowledge and expertise.

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Enter Rick Beato, Everything Music, riveting shorts like Iconic Turntables - Acoustic Research, Thorens, Lenco, Pioneer, the Truth About Vinyl, Joni Mitchell Talks Blue, Both Sides Now, & Newport Folk Festival with Elton John | Apple Music—Digging the Greats with 119 thousand subscribers, What’s a SoulquarianRed Bull Music Academy, DeAngelo—David Jones, Sgt Pepper harpist recalls playing on She’s Leaving Home and meets Ringo Starr for the first time. Then there's Ringo Starr Shows How to Play Ticket to Ride, Come Together and Back off Boogaloo. Buddy Rich Talk of the Town 1969, West Side Story - Kiri Te Kanawa - The Making of West Side Story Documentary and on and on. Never-ending programming.

What I find interesting about YouTube television is that my brain is not getting stuffed with non-purposeful information. I can always push on to the next topic and find new insights and hidden stories that unravel the myths, and half-truths, with the real voices, faces and witnesses behind consequential happenings.

When comedian Norm MacDonald died, I rode the captain MacDonald wave through every interview clip, comedy routine, talk show, and reminiscence. I only knew of the man’s brilliance in passing and before me a library of one man’s eventful life.

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Between writing, recording, photographing and always learning my instrument, I’m asking YouTube television to quickly rescue me from complicated technical issues and help me better understand the many programs that put demands on my daily life. How to better use Lightroom, understand a certain post-processing plug-in for Logic Pro, the back story to a hero – filmmaker Gordon Parks – and making better sense of words, replacing an oven filament.

Much of what I’m attracted to has occurred in the past few years as more and more adapt to streaming television and recognize the value in listening to ordinary voices with greater knowledge and passion for a subject than being force-fed nonsense. Most shows are basic in look, nothing fancy – just – here’s the facts as I know them. Wait – there’s pianist Bill Payne talking about Little Feat! Gotta go...

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Daniel Lanois
Marthe Vannebo

Daniel Lanois

Record Labels

Daniel Lanois Signs Extensive Licensing Deal With Warner Records

Under the deal, which covers solo and collaborative albums, 12 of the star Canadian producer and artist's catalogue titles have become available via streaming partners, including his gold-selling 1989 solo debut Acadie.

Acclaimed record producer, singer, songwriter and musician Daniel Lanois has signed an extensive and career-spanning licensing deal with Warner Records in the U.S.

The new deal sees 12 of the Canadian artist's catalogue titles now become available via streaming partners, and it marks the return of Lanois to the Warner Records roster. His lavishly praised 1989 solo debut, Acadie, was released via Opal/Warner Bros in 1989, and it remains his most popular solo work, certified Gold by Music Canada in 1991. A second solo album, 1993's For The Beauty of Wynona, also came out on Warner.

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