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FYI

The Weeknd's After Hours Single Is A Smash Hit

The following are tracks delivered to radio by digital distributor DMDS/Yangaroo in Canada and broken down into three categories.

The Weeknd's After Hours Single Is A Smash Hit

By FYI Staff

The following are tracks delivered to radio by digital distributor DMDS/Yangaroo in Canada and broken down into three categories. Top Downloads and Top Canadian Downloads represents the most copied tracks in the weeks ending Feb. 21, and the Most Active Indies blends downloads and streams, with the affiliated label and radio promotions company in parenthesis.

Top Downloads

  1. The Weeknd “After Hours” (XO/Republic/DMD Promo)

  2. Pearl Jam “Superblood Wolfmoon” (Republic/Universal)

  3. Bon Jovi “Limitless” (Island/Republic/Universal)

  4. Virginia To Vegas “betterman” (Wax/DMD Promo)

  5. High Valley “Your Mama” (Warner)

  6. David Strickland “Turtle Island ft. Spade, Supaman, Artson, JRDN & Whitey Dan” (eOne)

  7. Loud Luxury “Cold Feet” (Armada/Sony)

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  8. Sam Smith “To Die For” (Capitol/Universal)

  9. Selena Gomez “Rare” (Interscope/Universal)

  10. Dean Brody & The Reklaws “Can’t Help Myself” (Indie/A. Wilson Promo)

Top CanCon Downloads:

  1. The Weeknd “After Hours” (XO/Republic/DMD Promo)

  2. Virginia To Vegas “betterman” (Wax/DMD Promo)

  3. David Strickland “Turtle Island ft. Spade, Supaman, Artson, JRDN & Whitey Dan” (eOne)

  4. Loud Luxury “Cold Feet” (Armada/Sony)

  5. Dean Brody & The Reklaws “Can’t Help Myself” (Indie/A. Wilson Promo)

  6. Andrew Hyatt “I Needed That” (604/A. Wilson Promo)

  7. Paul Randy Mingo “Another Round” (Indie)

  8. Duane Steele “Blue Collar Palace” (Jolt/L. Tutty Promo)

  9. Famba “I Feel Your Pain (feat. David Aubrey)” (Sony)

  10. Bonds Of Mara “Killed The Love” (Sonic Envy/RPMpromo)

Most Active Indies:

  1. The Weeknd “After Hours” (XO/Republic/DMD Promo)

  2. Virginia To Vegas “betterman” (Wax/DMD Promo)

  3. Andrew Hyatt “I Needed That” (604/A. Wilson Promo)

  4. David Strickland “Turtle Island ft. Spade, Supaman, Artson, JRDN & Whitey Dan” (eOne)

  5. Duane Steele “Blue Collar Palace” (Jolt/L. Tutty Promo)

  6. Mt. Joy “Strangers” (Dualtone/eOne/Canvas Promo)

  7. AJR “Bang!” (Ultra/DMD)

  8. Dean Brody & The Reklaws “Can’t Help Myself” (Indie/A. Wilson Promo)

  9. Paul Randy Mingo “Another Round” (Indie)

  10. Bonds Of Mara “Killed The Love” (Sonic Envy/RPMpromo)

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Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.
Rodin Eckenroth/WireImage

Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.


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Read Lucian Grainge’s Memo on UMG-TikTok Deal: ‘Entire Music Ecosystem’ Will Benefit

The new agreement, announced in the early morning, addresses "key changes in several critical areas," Grainge said in outlining what UMG achieved in negotiations.

Universal Music Group chairman/CEO Lucian Grainge penned a memo to staff, obtained by Billboard, about the music company’s new licensing agreement with TikTok that ended a three-month standoff between the two entities, saying the deal ended with “a decidedly positive outcome,” with TikTok agreeing “to key changes in several critical areas.”

The announcement of the new deal, which came after a high-profile dispute between the world’s largest music company and one of the current premier social media platforms in the world that first erupted in late January, was announced early this morning (May 2). The agreement will see UMG’s millions of compositions and songs, both from its recorded divisions and its publishing company, return to the platform “in due course.” The feud has been one of the biggest talking points in the music business for the better part of this year, with artists and songwriters caught in the middle of the corporate standoff and looking for alternate ways to promote and market their music beyond the parameters of TikTok.

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