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FYI

Prism Prize Video: Said The Whale - UnAmerican

The 2019 Prism Prize for Best Canadian Music Video was awarded last month to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from a popular Vancouver indie rock band. Slaight Music is Patron Sponsor for the Prism Prize.

Prism Prize Video: Said The Whale - UnAmerican

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded last month to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from a popular Vancouver indie rock band. Slaight Music is Patron Sponsor for the Prism Prize.


Said the Whale - UnAmerican

Vancouver band Said The Whale serves up a real visual treat with the video for its raucous catchy single, UnAmerican.

The video is entirely handmade, using 2,250 separate pieces of paper, and no visual effects or green screens were used in the making - a pretty impressive feat when you see the final product. It boasts the unbridled creativity that one would expect from director and motion designer, Johnny Jansen, who brings his unique eye and aesthetic to the visual.

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The process of creating the video took over four days and required meticulous pre-planning. Each piece of paper, which was printed with a frame of a previously filmed performance video of the band, was then photographed frame-by-frame by the production team.

What results is a wildly creative video you’ll want to watch over again - if only to try and figure out how they even did it. The clip has earned 290K YouTube views.

Credits:

Video produced by Johnny Jansen in association with Foreshadow Films and Amazing Factory.

Director: Johnny Jansen

Producer: Josh Huculiak

Production Designer: Cayne McKenzie

Editor: Johnny Jansen

DOP: Thomas Affolter

Animators: Nathan Affolter and Jon Affolter

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Intro

Billboard Canada 2025 Power Players List Revealed

By Richard Trapunski, Rosie Long Decter, Peony Hirwani, Stefano Rebuli and Heather Taylor-Singh

Billboard Canada Power Players is back for a second year, and it comes at a pivotal time for Canadian music. Canadian Content regulations – a principle that built the domestic industry – are up for review for the first time in a generation, with ongoing hearings taking place with the CRTC. The Online Streaming Act, meanwhile, is attempting to regulate major foreign streaming services to contribute to CanCon as the CRTC once did for radio, but companies like Spotify, Amazon and Apple Music aren't taking it without a fight.

Those issues shadow the industry, which has both struggles and successes. The country was recently named the 8th largest music market in the world by the IFPI and Toronto has emerged as a marquee live music market. That's been reflected in the successes and investments in new venues by companies like Live Nation Canada, MLSE and Oak View Group, though some festivals and promoters outside of their orbit have gone public with their own struggles.

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