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The New Pornographers: Really Really Light

Clever vocal interplay and a gradually insinuating melody are on display here.

The New Pornographers: Really Really Light

By Kerry Doole

The New Pornographers: Really Really Light (Merge Records): There is big news in the camp of this now-veteran BC-based collective, for the group has just signed to famed US indie label Merge Records, home to the now-maligned Arcade Fire. A new album, Continue as A Guest, is set for release on March 31, preceded by new focus track Really Really Light and an accompanying video directed by Christian Cerezo.


In a press release, leader A.C. Newman explains that the track is a co-write with former NP member Dan Bejar (Destroyer), formerly intended for the band’s acclaimed 2014 album Brill Bruisers. "Part of my process throughout the years has been messing with things I never finished. I really liked Dan’s chorus, and for a while, I was just trying to write something that I felt like belonged with it,” Newman shares.

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“I was thinking of the Aloe Blacc song The Man, which interpolated the chorus from Elton John’s Your Song, and thought it would be fun to interpolate a song that no one knows. Not trying to sound like Aloe Blacc, just doing some interpolating of my own. It became a game of writing a verse that felt like a part of the same song. In my mind, I was striving for a little Jeff Lynne–era Tom Petty, a classic go-to.”

The mid-tempo cut features a clever interplay of male and female vocals, a group signature, plus ringing guitar and a gradually insinuating melody. Another winner from a band with a trunk full of gems accumulated over a career now spanning two full decades.

Newman began work on Continue as a Guest at his Woodstock, New York home over the course of a year after the band had just finished touring behind 2019’s In The Morse Code Of Brake Lights. The 10-track album, the group's ninth, is produced by Newman and features compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders, as well as contributions from saxophonist Zach Djanikian and, in addition to the Bejar, co-write, the track Firework in the Falling Snow was co-penned by Sadie Dupuis (Speedy Ortiz, Sad13). 

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The press release explains that the upcoming record "tackles themes of isolation and collapse, following the ambivalence of day-to-day life during the pandemic and the endless pitfalls of living online." Heavy stuff, but the exuberance of The New Pornographers and Newman's melodic gifts are sure to keep agst at bay. We look forwad to hearing more.

A spring North American tour has also been announced. It begins in Asheville, NC, on April 19, concluding in Saxapahaw, NC, on May 21. The band plays Toronto's Danforth Music Hall on May 12. Itinerary here.

Links

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Publicity: Ken Beattie, Killbeat

Management: info@brilliantcorners.com

Booking Agent -Canada: Steven Himmelfarb, Feldman Agency

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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