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FYI

Near Truths: Thoughts On A Perfect Storm

The “sex, drugs and rock ‘n’ roll” sensibility that once seemed to signal freedom and independence has sometimes turned into an atmosphere of license and even intimidation.

Near Truths: Thoughts On A Perfect Storm

By External Source

THE LOCKER ROOM AND THE BOARD ROOM
The “sex, drugs and rock ‘n’ roll” sensibility that once seemed to signal freedom and independence has sometimes turned into an atmosphere of license and even intimidation.


For too long, many women in our ranks have been subject to all manner of abuse. They haven’t been safe in their offices. They’ve been hit on, groped and straight-up assaulted. If they went through channels to complain, they were often either urged to laugh it off or made to fear recrimination and firing.

While this bad behaviour may be part of a “locker-room” culture that involved nonstop sexualization, it wasn’t just about sex. It was also about power and entitlement in a starkly male-dominated business.

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Perpetrators of such abuse have been regularly insulated from consequences, though that is beginning to change. The Weinstein saga shows how a powerful predator can ruin lives for years without challenge—but also that he can eventually be toppled. Now, serious allegations have been levelled against Charlie Walk, and the response has been swift: He’s been placed on leave from Republic, pending an investigation, and has departed the FOX TV series The Four.

WHO'S NEXT?
Conversation in the business is obsessively focused on this issue—who’s next? How does this change the way we interact with one another? What’s to prevent baseless charges from ruining lives? As these aren’t criminal proceedings, “due process” isn’t part of the equation—the potential for false accusation is real. This is especially concerning when anonymous charges fly in online forums.

But it’s also important to emphasize that going public with these allegations isn’t a picnic for the accuser. Invariably the comment threads fill up with the vilest, most misogynistic commentary. Going through all this is the inevitable result of coming forward, which is a difficult and uncomfortable choice on its own.

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The Internet can be a horribly ugly place, but it’s sometimes the only instrument—however blunt—for redressing wrongs that have been shielded by a system rigged by and for the powerful.

Because in the overwhelming majority of cases, these claims aren’t made up—they’re part of a pattern. The music biz is guilty of enabling this pattern.

We don’t know for sure if #timesup, but a countdown is starting.

– Excerpted from an editorial that ran recently in Hits Daily Double

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H.E.R.
Steven Moran
H.E.R.
Awards

See Who Was Nominated — and Who Was Passed Over — in Oscars’ 2025 Music Categories

This is the fifth year in a row that one or more non-English language songs has been nominated for best original song.

Diane Warren received her 16th Oscar nomination for best original song on Thursday (Jan. 23) — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight.

Moreover, this is the eighth year in a row Warren has been nominated, which enables her to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954 to 1961.

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