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Marty Morin Remembers Neil Peart From His Own Days In Wireless

Drummer Marty Morin first made his mark as a drummer in Canadian power-rock trio Goddo, toured for a brief time with Klaatu, and in recent years was on the road across North America in the ense

Marty Morin Remembers Neil Peart From His Own Days In Wireless

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Drummer Marty Morin first made his mark as a drummer in Canadian power-rock trio Goddo, toured for a brief time with Klaatu, and in recent years was on the road across North America in the ensemble known as Classic Albums Live. In between, for several years in the late ‘70s and early ‘80s, he was the drummer for Wireless, a band signed to Rush’s label, Anthem Records, and managed by Ray Danniels who also managed Rush. In the following feature, Marty recalls being on the road opening for Rush, and in particular his encounters with Neil Peart. It’s a fond remembrance.


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I got to work with Neil Peart back in the late ‘70s and early ‘80s and his influences on me as a professional musician and critical thinker were enormous. I find it hard to put into words what that meant to me. He and the band Rush certainly made me see how much hard work went into their success. Nothing comes free. They toured until they were exhausted.

Every time they went out on the road, they would always try to top themselves. I found Neil to be very accommodating, sincerely curious about my own musical and life endeavours and yet he seemed to march to a different drummer. He was determined to live his life on his own terms. He almost always drove his motorcycle between shows as we crisscrossed the USA and Canada. He said it was so he could soak in the culture. He rarely travelled with the rest of the guys and he would always show up on time.

A true professional.

He would spend so much time with his drum tech prepping his drums and himself for that evening’s show. Before each concert, just after the dinner break, he would warm up in a room with a small drum kit. He was always learning. True to his reputation, whenever he had some downtime he’d always be buried in a book. |A voracious reader. He was a thinker.

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He was always very gracious but suffered no fools. At the end of our first USA tour together he gave me one of his cymbals, a gross of drumsticks and the set of Chinese wooden temple blocks that he used on the 2112 album.

An intelligent and hard-working man who knew what he wanted and saw no reason why he shouldn’t achieve his goals.

I’m sorry I can’t come up with more than that about him. I leave that to the writers, journalists and professional bloggers among us.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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