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FYI

CMRRA Statement on SODRAC, SOCAN Merger

No one wants to say so but there is a turf war over the collection of music rights payments in Canada. SOCAN has traditionally been known as a performing rights agency but it is expanding its reach to include mechanical rights that until this week had been the almost exclusive domain of the CMRRA.

CMRRA Statement on SODRAC, SOCAN Merger

By FYI Staff

Until this week the benchmark agency of record for mechanical rights collections and payments was the Canadian Musical Reproduction Rights Agency (CMRRA), but Tuesday performing rights organization SOCAN announced it has acquired Montreal-based mechanical rights agency SODRAC. The following is a statement about the merger issued by the CMRRA.


SOCAN has announced today its acquisition of Montréal-based mechanical licensing collective SODRAC. After several previous attempts to merge these organizations, this comes as no surprise. SOCAN and SODRAC are looking to adapt to today’s rapidly evolving music industry and it’s understandable that, as two Canadian-based author societies, they have finally come together.

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CMRRA itself responded to this changing landscape by forming its own strategic partnership with SoundExchange just over a year ago. Under the ownership of the newly created SXWorks, CMRRA benefits from the direction of an independent publisher committee that oversees key decisions on the management of publisher rights regarding advocacy, tariffs, and licensing. This offers CMRRA’s music publisher affiliates a robust governance structure that was not achievable under the previously proposed alliance between CMRRA, SOCAN and SODRAC.

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CMRRA represents the vast majority of music publishers that do business in Canada, including self-published authors as well as some of the largest Quebec-based music publishers who bring to CMRRA an extensive francophone and international repertoire. CMRRA continues to license and administer an increasing share of the music market, with a repertoire that has largely captured the listening time of Canadians, resulting in royalty collections representing nearly all of streaming services’ mechanical royalty payments to date.

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Ozzy Osbourne of Black Sabbath performs at Ozzfest 2016 at San Manuel Amphitheater on September 24, 2016 in Los Angeles, California.
Frazer Harrison/Getty Images for ABA

Ozzy Osbourne of Black Sabbath performs at Ozzfest 2016 at San Manuel Amphitheater on September 24, 2016 in Los Angeles, California.

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Sharon Osbourne Confirms That Ozzfest Will Be Resurrected In Ozzy’s Home Town of Birmingham in 2027 Before Coming to North America

"We wanna do two days in Aston Villa," the late metal icon's wife/manager said on the family's podcast this week.

Sharon Osbourne has revealed more about her plans to resurrect Ozzfest. On the new episode of The Osbournes podcast on Wednesday (March 4), Sharon sat down to offer the first concrete details about the return of the heavy metal festival that has been on hiatus since 2018.

“Ozzfest! Coming back!” Sharon said, just days after first lighting the fuse for the news at the 2026 MIDEM conference in Cannes, France, where she announced “yes, absolutely. Yeah, we’re gonna do it.” She told Jack that the plan is to reboot the festival in 2027, launching it with a two-day event at Villa Park, the home grounds of the Aston Villa Football Club in Ozzy Osbourne‘s hometown of Birmingham, U.K.; that sacred ground was also the site of Osbourne’s final show, the all-star Back to the Beginning blowout last July.

This article was first published by Billboard U.S.
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