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A CIMA Q&A With Re:Sound President Ian MacKay

CIMA President Stuart Johnston recently asked Ian MacKay, President of Re: Sound Music Licensing Company, to discuss his organization’s work on behalf of artists and record companies, and how indep

A CIMA Q&A With Re:Sound President Ian MacKay

By External Source

CIMA President Stuart Johnston recently asked Ian MacKay, President of Re: Sound Music Licensing Company, to discuss his organization’s work on behalf of artists and record companies, and how independent labels can ensure they are compensated for their performance rights. Johnston is a member of Re: Sound’s board of directors, representing Canada’s independent music community.


What followed is an enlightening account of how the rights collective has evolved from a relatively small royalties’ collection agency into a big money earner for its rights stakeholders that include musicians and record labels. Re:Sound has also become a world-leader in data collection and in its last reported fiscal processed 1.8B sound recording performances (plays).

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To learn more about the org, MacKay’s role in the agency’s development and read the full Q&A, continue here.

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Taylor Swift
TAS Rights Management

Taylor Swift

Music News

What Does Taylor Swift Buying Back Her Masters Mean for ‘Reputation (Taylor’s Version)’?

The pop star also gave an update on her re-recorded debut album.

After six long years and four album re-records, Taylor Swift has finally won back control of her masters. But what does that mean for the long-awaited, highly anticipated Reputation (Taylor’s Version)?

In a letter on her website announcing that she’d finally been able to purchase back the rights to her first six albums from Shamrock Capital Friday (May 30), the pop star addressed just that. “I know, I know. What about Rep TV?” Swift began in her note.

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