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FYI

A CIMA Q&A With Re:Sound President Ian MacKay

CIMA President Stuart Johnston recently asked Ian MacKay, President of Re: Sound Music Licensing Company, to discuss his organization’s work on behalf of artists and record companies, and how indep

A CIMA Q&A With Re:Sound President Ian MacKay

By External Source

CIMA President Stuart Johnston recently asked Ian MacKay, President of Re: Sound Music Licensing Company, to discuss his organization’s work on behalf of artists and record companies, and how independent labels can ensure they are compensated for their performance rights. Johnston is a member of Re: Sound’s board of directors, representing Canada’s independent music community.


What followed is an enlightening account of how the rights collective has evolved from a relatively small royalties’ collection agency into a big money earner for its rights stakeholders that include musicians and record labels. Re:Sound has also become a world-leader in data collection and in its last reported fiscal processed 1.8B sound recording performances (plays).

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To learn more about the org, MacKay’s role in the agency’s development and read the full Q&A, continue here.

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The Live Nation logo is seen at its NYC headquarters on May 23, 2024 in New York City.
Michael M. Santiago/Getty Images

The Live Nation logo is seen at its NYC headquarters on May 23, 2024 in New York City.

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Live Nation Reaches Settlement With DOJ In Antitrust Case, But Some States Will ‘Keep Fighting’

The deal would reportedly include some major structural changes, but would not require Live Nation to divest Ticketmaster.

Live Nation has reportedly reached a settlement with the Department of Justice to resolve federal antitrust accusations without selling Ticketmaster, but several state attorneys general are planning to move ahead with the case.

The settlement, first reported Monday by Politico, would require big concessions from Live Nation including opening Ticketmaster’s platform to rivals, limiting how it uses exclusive deals with venues, and selling several amphitheaters. Live Nation would also pay $200 million to 40 states involved in the case.

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