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Canadian Court Pauses So-Called 'Streaming Tax' on Companies Like Spotify, Amazon and Apple

The CRTC mandated major global streaming companies pay 5% of their Canadian revenues into a Canadian content fund, but the Federal Court of Appeal now says the companies won't have to make payments until after their appeal is heard in summer 2025.

Canadian Court Pauses So-Called 'Streaming Tax' on Companies Like Spotify, Amazon and Apple
Photo by Filip on Unsplash

The Canadian government's so-called "Streaming Tax" is on pause.

The CRTC (Canadian Radio-television and Telecommunications Commission) revealed in June 2024 that major global streaming companies would be mandated to pay 5% of their annual Canadian revenues into funds that fuel Canadian content. The decision was part of the Online Streaming Act, new legislation that modernizes Canada's Broadcasting Act for the first time in a generation.


Since then, many of the biggest streaming companies – including Spotify, Amazon, Apple, Netflix and Disney – have been fighting the decision in court. This week, the Federal Court of Appeal decided to put the companies' required payments on hold until their appeal is heard.

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The Canadian Press reports that the payments, estimated to be at least $1.25 million each annually, will not have to be made until the court process is finished. They've agreed to expedite the hearings to June 2025, with the bulk of the money due in August.

While pursuing legal challenges, many of the biggest streaming companies have also launched an online campaign to lobby against the decision in the court of public opinion. A group called DiMA (the Digital Media Association) – whose members include Amazon, Pandora, Spotify, YouTube, Apple and more – launched a website with a petition and letter-writing campaign under the name Stop the Streaming Tax. The campaign has at least one high-profile advocate in musician Bryan Adams, a long-time critic of CanCon regulations.

The 5% contributions "could lead to higher prices for Canadians and fewer content choices," the website argues. "As a result, you may end up paying more for your favourite streaming services and have less control over what you can watch or listen to."

Many Canadian music associations like CIMA (the Canadian Independent Music Association), meanwhile, have praised the CRTC's decision. In June, CIMA's President Andrew Cash called it "good news for the Canadian music sector" and said it “lays the groundwork for a dynamic partnership with digital platforms where Canadian talent can thrive both domestically and internationally."

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The mandated contributions would go to music funds like FACTOR and Musicaction as well as the Canadian Starmaker Fund, to funds to support commercial and community radio, and to the Indigenous Music Office and other Indigenous music incubators.

More on this story as it develops.

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Paul McCartney
Mary McCartney

Paul McCartney

Pop

Paul McCartney Announces Reflective ‘The Boys of Dungeon Lane’ Solo Album, Drops Wistful ‘Days We Left Behind’ Single

The 14-track collection of songs inspired by McCartney's youth and he played the majority of the instruments on it.

Paul McCartney is going back to the start on his upcoming 18th studio album, the nostalgic The Boys of Dungeon Lane. The 14-track collection announced on Thursday morning (March 26) is due out on May 29 through MPL/Capitol Records and is prefaced by the wistful first single, “Days We Left Behind.”

McCartney’s first release since 2020’s McCartney III is described in a press release as a look backward at the former Beatle’s formative years, revisiting those youthful times that “shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.”

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