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Concerts

Avril Lavigne Played One of the Most Popular Sets at Glastonbury

Though the Canadian superstar wasn't booked on the main stage, her 22-years-in-the-making performance at the major U.K. festival had fans packed in near the food stations and toilets to sing along to the pop-punk princess as footage from the weekend shows. It was a full circle moment for Lavigne, who played on the same day as fellow Canadian star Shania Twain.

Avril Lavigne

Avril Lavigne

Courtesy Photo

For Avril Lavigne fans, the Canadian superstar's set was the best damn thing at Glastonbury this year.

It was Lavigne's first time playing the major U.K. festival, and attendees made the most of her appearance, reportedly overflowing from the stage into the campsite and even the toilet area. Lavigne's side stage performance overshadowed Janelle Monáe on the main stage, who performed to a smaller crowd during the festival's final night on Sunday, June 30.


Fans packed in and sang along to every word of Lavigne's many hits, from "Sk8r Boi" to "Girlfriend," and have been praising the set online ever since.

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For Lavigne, the performance had been a long time coming. ""I can't believe its taken me 22 years to finally play Glastonbury, but it was amazing," she told the BBC. "The audience were incredible, everyone was up on shoulders, holding signs and there were colourful smoke bombs going off, it was just so cool."

Performing on the same day as the Napanee icon was another Ontario superstar, Shania Twain, who took the stage for the festival's famous "Legends" spot. One of Lavigne's first high profile performances was a duet as a 14-year-old with Twain, so it was a full circle moment to take the stage at one of the world's most famous festivals on the same day.

Some blamed the sparse attendance for the festival's main stage on the fact that England was also playing in the European Championship tournament at the same time, but the turnout for Lavigne seemed to dispute that theory, with some fans overjoyed at the alignment of Lavigne's and England's dual performances, featuring a goal from Jude Bellingham that kept the country in the tournament.


Lavigne's Glastonbury set comes as part of her Greatest Hits tour, accompanying an album of the same name that debuted on the Billboard Canadian Albums chart this week at No. 71.

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Lavigne was also just appointed to the Order of Canada, further cementing her status as one of Canada's most influential stars, who helped pave a path for girls in the pop-punk genre — a genre whose current revival is led by women like Olivia Rodrigo and Rachel Chinouriri.

Glastonbury might have underestimated the star's contemporary appeal by booking her on a side stage, but the turnout made it clear Lavigne isn't losing her grip anytime soon.

The Greatest Hits tour continues across Europe and North America this summer. Find full dates here.

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Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Awards

How Tate McRae Leveled Up To Main Pop Girl Status

Billboard's Women in Music Hitmaker is known for her stunning performances — but her pen has always been her secret weapon, and it's yielding pop bangers.

Before there was Tate McRae, ultra-polished pop performer, there was Tate McRae, preteen from Calgary, Alberta, writing songs at home and uploading them to YouTube.

And while McRae’s high-caliber, intricately choreographed performances and visually striking, maximalist music videos have arguably become the focal points of her public image today (manifesting in a fierce alter ego she calls Tatiana), it’s her other side that Billboard is honoring as this year’s Women in Music Hitmaker — the one who used to take solace in crafting lyrics to sing not in front of more than 10,000 screaming fans but alone in her bedroom. The 22-year-old’s underappreciated pen is just as lethal as her performance capabilities. After a modest debut in the familiar lane of Gen Z pop melancholia — making her first Billboard Hot 100 appearance in 2020 with “You Broke Me First” — McRae enlisted fellow hit-makers Ryan Tedder and Amy Allen to help craft pristine, radio-­friendly pop bangers that she could actually move to, tapping into her upbringing as a competitive dancer onstage and channeling past pop icons such as Britney Spears (to whom she’s now ­frequently compared).

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