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Chart Beat

The Tragically Hip Hit No. 3 On Canadian Mainstream Rock Airplay Chart With Unearthed 1989 Song 'Wait So Long'

Originally recorded for the band's 1989 debut Up To Here, the track finally saw release last year and has been climbing the radio airplay chart. Also moving up this week is Post Malone & Luke Combs' "Guy For That," which tops the Country Airplay chart.

The Tragically Hip
The Tragically Hip
Gord Hawkins (CNW Group/Amazon Canada)

The Tragically Hip's "Wait So Long" hits a peak this week on the Billboard Canada Mainstream Rock airplay chart.

For the chart dated February 15, the song climbs 7-3, in its 15th week charting. If it keeps climbing, it could dethrone fellow Canadians Three Days Grace from their top spot with "Mayday."


Fans will have to wait and see, but when it comes to this track that's nothing new. "Wait So Long" was originally recorded for the Kingston, Ontario band's 1989 debut Up To Here. Shelved for 35 years, it finally saw the light of day last year when the band re-released the album. The song is vintage Hip, with a driving beat and a vigorous vocal by the late Gord Downie.

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Elsewhere on the Canadian airplay charts this week, Post Malone and Luke Combs rise from No. 2 to No. 1 on the Canada Country chart with "Guy For That," a song about how you can always find a guy to fix your car, but not your heart. The earnest tune is Posty's third leader on the country chart in the past year, after the Morgan Wallen-assisted "I Had Some Help" and the Blake Shelton collab "Pour Me a Drink," all from his 2024 country album F1 Trillion.

The rest of the airplay charts are all unchanged in the top spots. Myles Smith continues to rule with "Stargazing" sitting pretty atop the All Format, AC, and Hot AC charts, while ROSE and Bruno Mars reign on CHR/Top 40 with "APT."

Canadian Artists on the Airplay Charts

Canadian singer Alexander Stewart has a new entry on the All-Format chart. Recent single "His Problem Instead" arrives at No. 48, and it climbs 24-21 on the CHR/Top 40 chart. The anthemic breakup song is a salty kiss-off to an ex, with Stewart wishing a sour good luck to his ex's new guy.

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Stewart is a rising artist who performs well on Canadian radio — he's got another simultaneous entry on the CHR chart, his Frank Walker collab "Crossfire" at No. 31. He also picked up two Juno nominations this week, for breakthrough artist and best pop album. A win would further cement him as one of Canada's emerging pop names.

Devon Cole is another Canadian singer having a good week on the radio. Her ode to friendship "I Got You" hits a new peak at No. 9 on the AC chart, rising from No. 13. Preston Pablo's "One Last Song" also rises 16-12 on that chart, and Tia Wood's "Sky High" climbs 19-15. On the CHR/Top 40 chart, B.C. producers SVNSETS debut their Deepend collab "Close Friends" at No. 32 and Toronto's renforshort rises 21-16 with "On My Way!"

On the Country Airplay chart, B.C.'s Madeline Merlo hits the top ten with Dustin Lynch-assisted "Broken Heart Thing" at No 9. St. Catharines, Ontario's Tim Hicks debuts a new entry, too, "Quits" at No. 55. On Canada Modern Rock, rising rocker Ruby Waters climbs 19-18 with "Sour Patch" and Toronto indie pop group Valley debut "When You Know Someone" at No. 34. Both Waters and Valley were nominated for the Juno Award for alternative album of the year this week.

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Check out the full charts here.

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Billboard Canadian Hot 100 & Billboard Canadian Albums Charts Undergo Methodology Changes for 2026
Chart Beat

Billboard Canadian Hot 100 & Billboard Canadian Albums Charts Undergo Methodology Changes for 2026

Below is an explainer on the charts’ new streaming weights.

Following the switch of the Billboard Canadian Albums chart to a new weighting methodology to match that of the United States-based Billboard 200, the Billboard Canadian Hot 100 songs chart has shifted to the updated paid to ad-supported 1:2.5 streaming ratio. This is effective with the Billboard Canadian Hot 100 chart dated Jan. 31, 2026

As previously reported, Billboard’s charts have added more weight to on-demand streaming to better reflect an increase in streaming revenue and changing consumer behaviors. As part of the change, paid/subscription on-demand streams continue to be weighted more favourably compared to ad-supported on-demand streams, with the ratio between the two tiers narrowing from 1:3 to 1:2.5 based on analysis of streaming revenue.

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