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Chart Beat

Shawn Mendes and His 'Heart of Gold' Debut on Billboard Canadian Hot 100

Mendes' new album, Shawn, is due out Friday, and the latest single has struck a chord with fans following his dedication of a live performance to Liam Payne. The Weeknd also lands a new debut this week with "São Paulo."

Shawn Mendes
Shawn Mendes
Anthony Wilson

Shawn Mendes has debuted a bittersweet new single on the Billboard Canadian Hot 100.

"Heart of Gold" lands on the chart dated November 16 at No. 91, the final advance single from Mendes' upcoming album Shawn due out this Friday, Nov. 15. The song is a heartfelt tribute to a late friend who died of a drug overdose, and finds Mendes reflecting on grief and friendship over a sweet acoustic strum.


The song took on an extra layer of meaning when Mendes dedicated a recent live performance of the song to Liam Payne, following the One Direction member's death. Speaking about the song, he told the crowd: “It’s about grieving those we miss with tears, but it’s also about celebrating them… who they were and what they’ve left in this world.”

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"Liam, we love you! And the world is crying for you, brother," Mendes said.

Shawn marks Mendes' return to releasing and performing following a break to focus on his mental health. The Canadian singer is taking a folk-inspired approach on this album, also audible on previous single "Why Why Why." That track is also on the chart, and moved up the chart this week, from No. 87 to 62.

Mendes fans will get a chance to hear "Heart of Gold," "Why Why Why" and the rest of the album, as well as the inspiration behind the songs, at one-night-only screenings of Mendes' live concert film this Thursday, November 14, ahead of the album release.

Another Canadian chart-topper has a debut this week: The Weeknd's "São Paulo" featuring Anitta lands at No. 35. The track brings some Brazilian funk and four-on-the-floor to The Weeknd's synth-pop sound, giving it a heady energy. The duo performed the song together in Sao Paulo in September.

The track will be included on The Weeknd's upcoming project Hurry Up Tomorrow, alongside previously released singles "Timeless," which holds steady at No. 17 this week, and "Dancing in the Flames," which moves up to No. 33. "São Paulo" also debuted at No. 77 on the U.S. Hot 100. Hurry Up Tomorrow is also the name of The Weeknd's upcoming psychological thriller film, which will get worldwide distribution from Lionsgate.

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Canadians are generally having a good week on the Billboard Canadian Hot 100: Tate McRae's "It's ok I'm ok" moves up from. No. 46 to 33, Devon Cole's "I Got You" moves up from No. 73 to 59, Josh Ross' "Single Again" moves up from No. 70 to 61, and Jamie Fine's "You're Like" climbs from No. 94 to 84.

Shaboozey continues to make history at the top of the Billboard Canadian Hot 100 with "A Bar Song (Tipsy)." The Virginia singer is extending his record for longest running No. 1 in Canada every week, with this edition marking his 24th week leading the chart.

The song has been No. 1 for less time on the U.S. Hot 100 at 17 weeks, but that's good for the second-longest Hot 100 No. 1 ever. It's been a good year for Shaboozey, to say the least.

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Check out the full chart here.

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Jisoo in Netflix's 'Boyfriend on Demand.'
Courtesy of Netflix

Jisoo in Netflix's 'Boyfriend on Demand.'

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From BLACKPINK to Running Her Own Company to ‘Boyfriend on Demand’, Jisoo Enters Her Most Mature Phase

The singer-actress is the cover star of Billboard Brasil's 21st edition.

In 2011, a teenager from Gunpo, a city 30 km from Seoul, crossed the South Korean capital to audition at YG Entertainment. The 16-year-old faced a line of hundreds of candidates, performed for the judges, and left the building without knowing the result of the audition that would change her life forever. Shortly after, Jisoo joined the agency’s exclusive trainee program. She went through countless hours of rehearsals and music, singing and dance classes over five years before debuting in BLACKPINK alongside three other girls — and the rest is history with a capital H. The group was one of the driving forces behind K-pop’s surge in global popularity over the following decade.

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