Joni Mitchell Turns 80: Celebrating The Iconic Singer-Songwriter's Chart History
From 1970s classics to '80s synth experiments, '90s samples to an unexpected 2020s comeback, Joni Mitchell has had a fascinating journey on the Billboard charts.

Joni Mitchell at Newport Folk Festival
Canadian icon Joni Mitchell turns 80 today. Six decades into her career, the ten-time Grammy winner is still making waves with her music, following a surprise return to live performance last year. In summer 2023, she played her first headlining show in two decades at the Seattle Gorge.
Since the beginning, the singer from Saskatchewan has always carved her own path. Mitchell got her start in Calgary coffeehouses and then Torontoâs Yorkville scene, where she frequented the same spots as other titans of Canadian music like Neil Young and Gordon Lightfoot. Mitchell moved to the U.S. in the mid-60s, eventually bringing her dense lyricism, crystalline voice, and signature guitar tunings to her debut release, 1968âs Song to a Seagull.
Mitchellâs career is often thought of in terms of artistry and influence. Where other musicians with lengthy careers might re-tread the same territory, Mitchell has always displayed a deep curiosity and commitment to her craft, evolving through the â60s, â70s and â80s into a jazz fusion artist. Meanwhile, she has influenced decades of artists across genres â her website cites 1641 known versions of âBoth Sides Nowâ alone.
While artists like Judy Collins and Crosby, Stills, Nash and Young have had success performing her songs, Mitchell is perhaps less thought of as a hitmaker. But she has often charted throughout her career â as recently as 2022, when she made an emotional and unexpected comeback.
Hereâs the story of Mitchellâs Hot 100 history in ten tracks:
July, 1970: âBig Yellow Taxiâ cracks the charts
Big Yellow Taxi
Though Judy Collins had already taken âBoth Sides Nowâ to the top ten, Joni Mitchell didnât hit the Hot 100 as a performer until 1970, when âBig Yellow Taxiâ peaked at No. 67. The conservationist classic and eminently quotable single first appeared on Ladies of the Canyon, but it would go on to peak even higher in 1975, at No. 24, following the release of a live version. Three covers of the song have also appeared on the Hot 100, most recently 2003âs Counting Crows rendition.
September, 1971: âCareyâ spends one week on the Hot 100
Carey
âCareyâ might have peaked at 93 in the U.S., but in Canada it went to No. 27, and the album that launched it, Blue, reached No. 15 on the Billboard 200, all of which set Mitchell up for further charting in the '70s. Since then, Blue has built up a reputation as one of Mitchellâs best-loved records and one of the best albums of all time.
February, 1973: âYou Turn Me On, Iâm A Radioâ hits the top 25
You Turn Me On, I'm a Radio
With its playful radio metaphor, this single from 1972âs For The Roses was primed for airplay. The infinitely singable âYou Turn Me Onâ peaked at No. 25 in the U.S. and No. 10 in Canada, spending sixteen weeks on the charts between late â72 and early â73.
December, 1973: âRaised on Robberyâ announces Court and Spark
Raised on Robbery
The first single off of Court and Spark would not be its highest charting hit, but âRaised on Robberyâ peaked at No. 65 and introduced the jazz-inflections of Mitchellâs most successful album to date. Court and Spark went on to reach No. 2 on the Billboard 200.
June, 1974: âHelp Meâ becomes Mitchellâs first top 10 hit
Help Me
This smooth ode to the dangers of falling in love, with its saxophone trills and warbling harmonies, is Mitchellâs only top 10 hit, peaking at No. 7 in June 1973. The songâs balance of soft-rock and jazz propelled it to become Mitchellâs biggest commercial success, while also signalling her experimentations to come.
September, 1974: âFree Man In Parisâ is Court and Sparkâs second top 30 hit
Free Man in Paris
In âFree Man In Paris,â Mitchell sings from the perspective of a music industry man who would love to wander in French cafes but is instead married to the hit-making business in L.A. Perhaps ironically, âFree Manâ was a modest hit itself, peaking at No. 23.
February, 1976: âIn France They Kiss on Main Streetâ hisses onto the Hot 100
In France They Kiss On Main Street (2022 Remaster)
Following âBig Yellow Taxiâ and its 1975 peak on the Hot 100, âIn France They Kiss on Main Streetâ comes from 1976âs The Hissing of Summer Lawns. The energetic love story peaked at No. 66 and features backing vocals from James Taylor along with David Crosby and Graham Nash, who took Mitchellâs âWoodstockâ to No. 11 with Crosby, Stills, Nash & Young in the U.S. and No. 3 in Canada.
November, 1982: âYouâre So Square (Baby I Donât Care)â is Mitchellâs first non-original hit
[You're So Square] Baby, I Don't Care
In the late â70s, Mitchell veered further towards jazz and experimental compositions, leaving behind chart-friendly song structures and producing one of her most revered albums, Hejira. On Wild Things Run Fast, her eleventh studio album, she hit No. 47 with her cover of the Elvis track âYouâre So Squareâ â her only non-original on the Hot 100.
January, 1986: âGood Friendsâ marks Mitchellâs last Hot 100 entry
Good Friends
The opening track on 1985âs Dog Eat Dog, âGood Friendsâ is an entirely different Joni Mitchell. Working with producer Thomas Dolby, Joni goes full '80s on this track, complete with synths and drum machines. Dog Eat Dog is considered one of Mitchellâs weaker releases, but the artist famous for her adventurousness canât be faulted for trying things out.
September, 1997: Janet Jackson brings Joni Mitchell back to the radio with âGot Til Itâs Goneâ
Got 'Til It's Gone
The Janet Jackson track off of her 1997 album The Velvet Rope samples Mitchellâs âBig Yellow Taxi,â pitching up Mitchellâs voice and turning it into the hook for an R&B jam. Mitchell received a feature credit on the song, which peaked at No. 36 on the radio songs chart and finds Tribe Called Questâs Q-Tip repeatedly telling listeners: âJoni Mitchell never lies.â On her 80th birthday, Q-Tipâs line rings true: Mitchellâs chart history is a reminder of her massive impact as a performer, songwriter and artist whose hits continue to reverberate at Newport Folk, the Seattle Gorge and beyond.
August, 2022: Joni Mitchell returns to the charts after surprise Newport performance
Joni Mitchell â Both Sides Now (Live at the Newport Folk Festival 2022) [Official Video]
Singer-songwriter Brandi Carlile and an all-star band brought the icon back to the stage at the Newport Folk Festival in 2022. After struggling through health issues, Mitchell's return was as unexpected as it was moving. Mitchell and her collaborators stunned everyone, both those in the audience and watching later on YouTube. Her noticeably deeper voice and poignant delivery made it hard to watch with a dry eye, and the performance went viral. "Both Sides Now" didn't chart when it was released in 1970, but it did in 2022. The song hit No. 4 on the Rock Digital Song Sales chart, No. 20 on the Digital Song Sales chart and No. 1 on the LyricFind U.S. and LyricFind Global charts.

















