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Tom Barlow Creates Startling Opioid Crisis Song and Video

"My goal is to make the name Richard Sackler synonymous with mass death,” says Canadian musician Tom Barlow, who wrote The Wizard, with Tom Lewis, using the words of the former head of Purdue Pharm

Tom Barlow Creates Startling Opioid Crisis Song and Video

By Karen Bliss

"My goal is to make the name Richard Sackler synonymous with mass death,” says Canadian musician Tom Barlow, who wrote The Wizard, with Tom Lewis, using the words of the former head of Purdue Pharma, maker of OxyContin, owned by the billionaire Sackler family.


The Juno-nominated pop singer-songwriter, who releases music under Barlow, had read the news reports citing lawsuit documents containing damning messages and memos by Sackler that prove he was aware of the addictive nature of the drug launched in the U.S. in 1996.

In one example, research and development VP Robert Kaiko wrote to Sackler, saying that “[O]xycodone containing products are still among the most abused opioids in the US. If OxyContin is uncontrolled... it is highly likely that it will eventually be abused.”   Sackler responded, “How substantially would it improve your sales?”

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In 2007, Purdue pled guilty to misleading doctors about the risks of OxyContin and was ordered to pay out $600 million U.S.  in fines, a drop in the bucket for the billionaire family, which continued to pursue sales over the next decade aggressively.

While 8,048 people died in 1999 from any opioids and continued to rise to 47,600 in 2017, according to figures from the Drug Institute on Drug Abuse, the Sackler family’s wealth continued from Purdue and other holdings. In 2016, Forbes estimated their net worth at least $14 billion.

In March of this year, the company agreed to pay $270 million U.S. to settle one of many lawsuits, and last month announced it would use its bankruptcy settlement “to provide more than $10 billion of value to address the opioid crisis."

While most are simply sick to our stomach over their greed and callousness, Barlow created a song about it, produced and mixed by Bill Bell (Tom Cochrane, Jason Mraz), and directed a music video using clips from TV host John Oliver’s segment, employing actors Michael Keaton and Bryan Cranston.

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Samaritanmag talked to Barlow about what moved him to create the song and what he hopes to achieve. — Link here to read Karen Bliss's interview with Tom Barlow in full.

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Ed Sheeran performs onstage at iHeartRadio Z100's Jingle Ball 2025 Presented by Capital One held at Madison Square Garden on December 12, 2025 in New York, New York.
John Nacion/Billboard

Ed Sheeran performs onstage at iHeartRadio Z100's Jingle Ball 2025 Presented by Capital One held at Madison Square Garden on December 12, 2025 in New York, New York.

Music News

Ed Sheeran Addresses Controversy at First Show Since Openers, Backing Band Dropped Off Tour, Calls It ‘The Best Show of My Life’

Before his show in Philadelphia, Sheeran read a statement acknowledging the issue of Israel and Palestine, but still tried to keep things neutral.

Ed Sheeran needed to address the situation before he could start playing guitar. It wasn’t how he wanted to start his show, and he’s made it abundantly clear that the last thing he wants around him is controversy or, in his words, to be an “activist musician.”

But here he was, at the first show after his opener and friend Macklemore was kicked off the tour, following pressure by a group of venue owners led by Robert Kraft who took issue with Macklemore’s statement of support toward Palestine. That led to the rest of the tour’s openers and even Sheeran’s backing band for the tour dropping off the tour in solidarity with Macklemore — all of which became a huge news story and PR nightmare for the usually very un-controversial Sheeran. And though he had already made one highly scrutinized statement online while the news story was at its most potent, Sheeran felt the need to address the crowd at Philadelphia’s Lincoln Financial Field on Saturday night (Sept. 19) in person, before the show really started.

This article was first published by Billboard U.S.

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