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FYI

Ryan Langdon - 'Leave Me Right'

This is a taut, action-packed story-telling song debut that opens with blazing certainty and carries through to the last lick.

Ryan Langdon - 'Leave Me Right'

By David Farrell

Ryan Langdon – ‘Leave Me Right’ (Slaight Music). The Niagara Falls hat singer’s father played college football for the U of Tennessee and it left him exposed him to a lot of southern rock and country music that explains the blazing guitar riffs and Nashville-influenced vocal twang on this debut single.


It’s a story-telling song about a busted relationship with an unmistakable hook that hits at the 38-second mark, and a run time of 3:45 that doesn’t spare a second canoodling or dillydallying in its wake. In short, this is a taut, action-packed debut that opens with blazing certainty and carries through to the last lick.

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We’ve seen Langdon perform and he’s the real deal in a genre all too often typified by bursting bustiers, soft-pawed Bel Air cowboys and songbooks coyly tailored to capture achy-breaky hearts. Give him a barstool and an acoustic guitar and he can capture and hold a room with his commanding voice, natural charisma, brimming confidence and a presence that tells you he is anything but a product spun from some AI algorithm.

No word yet on when an EP is to be expected. “Parkside” Mike Renaud is stick-handling.

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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