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FYI

Prism Prize Video: Homeshake - Just Like My

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from quirky singer/songwriter Peter Sager. Slaight Music is Patron Sponsor for the Prism Prize.

Prism Prize Video: Homeshake - Just Like My

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from quirky singer/songwriter Peter Sager. Slaight Music is Patron Sponsor for the Prism Prize.


Homeshake - Just Like My

To accompany his dreamy new single, Just Like My, Homeshake (aka Peter Sager) delivers a video, which is in equal measures ethereal and downright peculiar, or as Sager himself described it, “calm and weird.”

The video (a collaboration between Canadian director Oliver McGarvey and German artist Eric Winkler) begins in a cold, desolate forest. Our protagonist, an almost nymph-like creature, dressed in bright pink pants and a white puffer jacket, aimlessly wanders. But she’s not alone. As she meanders about, tall figures draped in tattered rags (referred to as “Spirits” in the video credits), dance around her. They pique her curiosity, she gets close, examines them, she wants to know more -  but in the same instance, she’s frightened by them, quietly bothered by their existence.

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Are the bedraggled figures forest monsters? A figment of her imagination? Embodiments of ghosts from her past? Director McGarvey provides the viewer with a lot of space to interpret them as you wish.

Directed, co-concept, co-edited by Oliver McGarvey

Costumes, co-concept, co-edited by Eric Winkler

Protagonist: Paula Breuer

Spirits:

Patrick Burghenn

Bahar Kygsz

Betül Uyar

Eva Vuillemin

Eric Winkler

Cinematographer: Saskian Schubert

Camera Assistant: Michael Barth

SFX: Rolf Bremer  

Color: Kyle Armstrong

Production assistant: Nina Emge

The cook: Adam Shiu-Yang Shaw

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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