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Prism Prize Video: Homeshake - Just Like My

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from quirky singer/songwriter Peter Sager. Slaight Music is Patron Sponsor for the Prism Prize.

Prism Prize Video: Homeshake - Just Like My

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded recently to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile the nominated videos, including this one from quirky singer/songwriter Peter Sager. Slaight Music is Patron Sponsor for the Prism Prize.


Homeshake - Just Like My

To accompany his dreamy new single, Just Like My, Homeshake (aka Peter Sager) delivers a video, which is in equal measures ethereal and downright peculiar, or as Sager himself described it, “calm and weird.”

The video (a collaboration between Canadian director Oliver McGarvey and German artist Eric Winkler) begins in a cold, desolate forest. Our protagonist, an almost nymph-like creature, dressed in bright pink pants and a white puffer jacket, aimlessly wanders. But she’s not alone. As she meanders about, tall figures draped in tattered rags (referred to as “Spirits” in the video credits), dance around her. They pique her curiosity, she gets close, examines them, she wants to know more -  but in the same instance, she’s frightened by them, quietly bothered by their existence.

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Are the bedraggled figures forest monsters? A figment of her imagination? Embodiments of ghosts from her past? Director McGarvey provides the viewer with a lot of space to interpret them as you wish.

Directed, co-concept, co-edited by Oliver McGarvey

Costumes, co-concept, co-edited by Eric Winkler

Protagonist: Paula Breuer

Spirits:

Patrick Burghenn

Bahar Kygsz

Betül Uyar

Eva Vuillemin

Eric Winkler

Cinematographer: Saskian Schubert

Camera Assistant: Michael Barth

SFX: Rolf Bremer  

Color: Kyle Armstrong

Production assistant: Nina Emge

The cook: Adam Shiu-Yang Shaw

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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