advertisement
FYI

Prism Prize Video: Belle Game - Low

On May 13, the biggest prize for Canadian music videos will be handed out in Toronto. We are profiling some of the nominees before that, including this clip from the Vancouver dream pop band that is on the Top Ten list.

Prism Prize Video: Belle Game - Low

By External Source

On May 13, the biggest prize for Canadian music videos will be handed out in Toronto. We are profiling some of the Top 20 nominees before that, including this clip from the Vancouver dream pop band's second album. Slaight Music is Patron Sponsor for the Prism Prize.


Belle Game - “Low”

In “Low”, Belle Game and director Kevan Funk team up to explore ideas of authenticity and impersonal intimacy. This NSFW video opens with a static shot, overlooking a neighbourhood, reminiscent of the sprawling California hills - a place which is known for often blurring the line between what is real or fake. The subsequent shot seemingly solidifies this theme, introducing us to a woman, alone in her kitchen, her face covered in post-op bandages.

advertisement

The video continues, bringing us into an industrial factory - the setting for the assemblage of sex dolls, coming together piece by piece, details being placed just so. Rows and rows of dildos are examined and snipped to be just right.  These shots are also interlaced with clips of a woman undergoing cosmetic surgery - bringing us even further into the idea of authenticity and the anxieties that exist around our physical identities.

Belle Game has revealed that the song itself “is about the empty feeling I had when continually fucking people because I felt it was my role to be of service to them. The neglect of my own humanity served my deeper desire of being accepted.”

The visuals that Funk serves up are cold, affecting, yet strangely comforting, knowing that the objects we see coming together will ultimately provide a sense of closeness and give someone the connectivity that humans so often desire.

Credits:

Director & Editor: Kevan Funk

Producer: Dan Montgomery

Cinematographer: Peter Hadfield

Assistant Camera / Additional Cinematography: Rico Moran

advertisement

Research: Anna Killen

Make Up: Teia Dumaresq

Colourist: Clinton Homuth

Additional Editing: Calum Moore

advertisement
Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.
Matt Jelonek/Getty Images

Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.

Chart Beat

Sum 41 Scores Second Alternative Airplay No. 1 This Year With ‘Dopamine’

The band's second and third No. 1s have led over two decades after its first in 2001.

After earning its first No. 1 on Billboard’s Alternative Airplay chart in over two decades earlier this year, Sum 41 scores another as “Dopamine” rises a spot to No. 1 on the Nov. 30-dated survey.

The song follows the two-week Alternative Airplay command for “Landmines” in March. The latter led 22 years, five months and three weeks after Sum 41’s first No. 1, “Fat Lip,” in August 2001, rewriting the record for the longest break between rulers for an act in the chart’s 36-year history. It shattered the previous best test of patience, held by The Killers, who waited 13 years and six months between the reigns of “When You Were Young” in 2006 and “Caution” in 2020.

keep readingShow less
advertisement