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Prism Prize Eligible Video: We Are The City - Killer B-Side Music

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos, including this one from a Vancouver prog rock trio.

Prism Prize Eligible Video: We Are The City - Killer B-Side Music

By External Source

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos, including this one from a Vancouver prog rock trio.


We Are The City - Killer B-Side Music

We Are The City is a progressive rock band based in Vancouver, British Columbia formed in 2008. The trio is composed of singer-keyboardist, Cayne McKenzie, drummer Andrew Huckliak, and guitarist David Menzel. With a name inspired by the Bible verse Mather 5:14 stating "Ye are the light of the world. A city that is set on a hill cannot be hidden", their music is not specifically religious. This is a group of Christians but not a Christian group. 

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The song and video for Killer B-Side Music are as spontaneous as you may believe with a band like this. With a budget of only $3,200, the group decided to spend all of that on an expensive hotel and shoot the video on their iPhones. "It was us, our phones, Instagram Live and a loud hotel room. With no set plan, we chased whims all night, slept one hour, shot the sunrise and continued from there. Sometimes the most inspiring art to witness is art within your capabilities — you see the ingredients, the recipe, how it was put together, and that's inspiring because you realize you're capable of the same thing. You are the technician. You have access to the tools."

Filled with trippy effects the band does an amazing job of bringing you into the room with them.  
 

Directed by Amazing Factory

Written, performed, produced, engineered by We Are The City

Guitar + Synth in the McKenzie Family Basement

Piano + Digital Drums at David’s Shedquarters

Vocals +Drums at Afterlife Studios, engineered by John Raham + Erik Nielsen

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Mixed by Matty Green

Mastered by João Carvalho

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La musique francophone gagne en popularité grâce à une visibilité accrue, selon une étude de l’UQAM
Photo de Harry Spink sur Unsplash

La musique francophone gagne en popularité grâce à une visibilité accrue, selon une étude de l’UQAM

Les titres figurant dans les listes de lecture éditoriales de MUSIQC ont enregistré une hausse de 6 à 13 % de leurs écoutes sur Spotify. Créée par la SPACQ-AE, cette plateforme de diffusion en continu vise à accroître la visibilité de la musique francophone au Québec.

Une nouvelle étude de l'Université du Québec à Montréal (UQAM) met en lumière l'impact de la visibilité accrue de la musique francophone sur les plateformes de diffusion en continu.

Cette semaine, l’UQAM a publié une nouvelle étude mesurant l’impact de MUSIQC, la plateforme de diffusion en continu francophone québécoise créée par la SPACQ-AE, la Société professionnelle des auteurs, compositeurs et artistes entrepreneurs du Québec, sur la musique québécoise.

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