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Prism Prize Eligible Video: We Are The City - Killer B-Side Music

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos, including this one from a Vancouver prog rock trio.

Prism Prize Eligible Video: We Are The City - Killer B-Side Music

By External Source

The 2020 Prism Prize for Best Canadian Music Video was awarded to Peter Huang, for his clip for Jessie Reyez's Far Away. We will continue to profile noteworthy Canadian videos, including this one from a Vancouver prog rock trio.


We Are The City - Killer B-Side Music

We Are The City is a progressive rock band based in Vancouver, British Columbia formed in 2008. The trio is composed of singer-keyboardist, Cayne McKenzie, drummer Andrew Huckliak, and guitarist David Menzel. With a name inspired by the Bible verse Mather 5:14 stating "Ye are the light of the world. A city that is set on a hill cannot be hidden", their music is not specifically religious. This is a group of Christians but not a Christian group. 

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The song and video for Killer B-Side Music are as spontaneous as you may believe with a band like this. With a budget of only $3,200, the group decided to spend all of that on an expensive hotel and shoot the video on their iPhones. "It was us, our phones, Instagram Live and a loud hotel room. With no set plan, we chased whims all night, slept one hour, shot the sunrise and continued from there. Sometimes the most inspiring art to witness is art within your capabilities — you see the ingredients, the recipe, how it was put together, and that's inspiring because you realize you're capable of the same thing. You are the technician. You have access to the tools."

Filled with trippy effects the band does an amazing job of bringing you into the room with them.  
 

Directed by Amazing Factory

Written, performed, produced, engineered by We Are The City

Guitar + Synth in the McKenzie Family Basement

Piano + Digital Drums at David’s Shedquarters

Vocals +Drums at Afterlife Studios, engineered by John Raham + Erik Nielsen

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Mixed by Matty Green

Mastered by João Carvalho

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

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Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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