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MIDiA Research Predictions 2018: Post-Peak Economics

With 2017 drawing to a close and 2018 on the horizon, media analyst Mark Mulligan offers MIDiA’s 2018 predictions.

MIDiA Research Predictions 2018: Post-Peak Economics

By External Source

With 2017 drawing to a close and 2018 on the horizon, media analyst Mark Mulligan offers MIDiA’s 2018 predictions.


  • Post-catalogue – pressing reset on the recorded music business model: Revenues from catalogue sales have long underpinned the major record label model, representing the growth fund with which labels invested in future talent, often at a loss. Streaming consumption is changing this and we’ll see the first effects of lower catalogue in 2018. Smaller artist advances from bigger labels will follow.

  • Spotify will need new metrics: Up until now Spotify has been able to choose what metrics to report and pretty much when (annual financial reports aside). Once public, increased investor scrutiny on will see it focus on new metrics (APRU, Life Time Value etc) and concentrate more heavily on its free user numbers. 2018 will be the year that free streaming takes centre stage – watch out radio.

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  • Apple will launch an Apple Music bundle for Home Pod: We’ve been burnt before predicting Apple Music hardware bundles, but Amazon has set the precedent and we think a $3.99 Home Pod Apple Music subscription (available annually) is on the cards. (Though we’re prepared to be burnt once again on this prediction!) – Read in full here

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Alex Sampson
Santiago Hernandez

Alex Sampson

Le jeune auteur-compositeur-interprète Alex Sampson fait son entrée dans le palmarès radio de Billboard Canada avec son titre « Misery »

De plus, Justin Bieber, Tenille Arts, TALK, Tyler Joe Miller et Josh Stumpf font leur entrée dans les classements CHR/Top 40, tous-formats confondus, AC et plus encore.

Alex Sampson est tout sauf malheureux.

Cette semaine, la jeune auteure-compositrice-interprète canadienne fait son entrée à la 35e place du palmarès radio de Billboard Canada CHR/Top 40 avec son titre « Misery », daté du 23 mai.

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