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FYI

Meet the 2021 Juno Nominees: Angel Forrest

From now until the 2021 Juno Awards are presented on June 6, we will offer this weekly column to help you get to know some of the nominees in all categories a little better. Here we profile an award-winning Montreal blues-rocker. 

Meet the 2021 Juno Nominees:  Angel Forrest

By Jason Schneider

From now until the 2021 Juno Awards are presented on June 6, we will offer this weekly column to help you get to know some of the nominees in all categories a little better.


Meet the 2021 Juno Nominees:

Angel Forrest

Nominated in the category Blues Album of the Year

Angel Forrest has been singing the blues for over 30 years, and although over that time the Montreal native has been honoured within her home province, and earned multiple Maple Blues Awards, she’s never had many expectations of being recognized beyond that.

Until this year, that is, when her latest album Hell Bent With Grace caught the attention of the Junos for the first time. “When my name was announced as a nominee, the thought of possibly winning this prestigious Canadian award was overwhelming,” she says. “All the years of playing and creating, all the people involved with my career, all the potential for greater opportunities to share my music... Well, my slumber has been affected and a whole village of butterflies have moved into my belly since the announcement!”

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Forrest made Hell Bent With Grace with her longtime co-writers and producers, Denis Coulombe and Ricky Paquette, and together they came up with a clutch of songs that range from party anthems to the importance of maintaining mental health. But tying it all together is Forrest’s wonderfully raspy voice that’s been her trademark ever since she first received widespread acclaim in 1997 for her Janis Joplin tribute show that also led to her Angel Sings Janis album.

While some blues purists would categorize Hell Bent With Grace’s sound instead as “blues-rock,” there’s no denying that Forrest puts every ounce of her heart and soul into what sings, and in the end that’s all that really matters.

“I never considered myself a singer,” she admits. “I just found so much joy and release in expressing myself through song. I’ve always tried to ‘sing my soul’—sometimes it’s pretty, sometimes it’s heart-wrenching, but it’s always real and true. I just want to get my story heard without any misunderstanding. My music is just me trying to get through to you, one word at a time.”

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Hell Bent With Grace arrived on the heels of Forrest being named a finalist at the prestigious Memphis International Blues Challenge in 2018, and she’s eager to continue building her audience in the US once the opportunities present themselves again. But in the meantime, she’s been making the best of the situation in the absence of the human connection that’s always fuelled her drive to make music.

“We are fortunate to have a large online following, so my husband, who’s also my guitarist, and I did a virtual tour across Canada. But for me, this past year has been a real eye-opener. I am the kind of performer who dances in the crowd, and I’m a serious hugger. It’s part of how I feel about music being something that’s meant to shared--together. I never thought I'd say it, but I miss the crowds!”

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Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.
Matt Jelonek/Getty Images

Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.

Chart Beat

Sum 41 Scores Second Alternative Airplay No. 1 This Year With ‘Dopamine’

The band's second and third No. 1s have led over two decades after its first in 2001.

After earning its first No. 1 on Billboard’s Alternative Airplay chart in over two decades earlier this year, Sum 41 scores another as “Dopamine” rises a spot to No. 1 on the Nov. 30-dated survey.

The song follows the two-week Alternative Airplay command for “Landmines” in March. The latter led 22 years, five months and three weeks after Sum 41’s first No. 1, “Fat Lip,” in August 2001, rewriting the record for the longest break between rulers for an act in the chart’s 36-year history. It shattered the previous best test of patience, held by The Killers, who waited 13 years and six months between the reigns of “When You Were Young” in 2006 and “Caution” in 2020.

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