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Mav Karlo: Detonator

Hollerado’s mainman delivers a killer solo cut full of self-deprecating lyrics.

Mav Karlo: Detonator

By Kerry Doole

Mav Karlo: Detonator (Royal Mountain Records): One of the most keenly-anticipated Canadian releases of the fall is Strangers Like Us, the debut album from Mav Karlo that comes out on Oct. 16. This is the solo project of Menno Versteeg, founder of respected indie imprint Royal Mountain Records (the domestic home of Mac DeMarco, Alvvays, U.S. Girls, Orville Peck, and more) and the former leader of Hollerado, one of the most successful Canadian indie rock bands of the past decade.


An advance single, Detonator, is now out, and, in a label press release, Versteeg describes the track this way: "Detonator is about that moment when you stop saying to yourself 'I’m such a fuck up' and start asking 'why am I such a fuck up?' It’s a long and a hard process, but an important one, and that’s reflected in the wordier than usual verses. I wanted the detail in the lyrics to act like dots in a pointillist painting, disparate images that when taken together convey a singular emotion.” 

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The track is a slow burn, with Versteeg's drawled vocals joined by female harmonies. The self-deprecating lyrics refer to "waking up with Beethoven hair" and being late to the only riot he's attended, and he gets bonus points for name-checking infamous Toronto dive hotel The Waverly.

About the accompanying video, which was directed by Justin Singer, Versteeg notes: "I grew up in a small town in Ontario and it seemed like everyone drove a dirtbike or a Ski-Doo or an ATV or all three. When the director suggested the video revolve around a daredevil dirt biker who experiences a tragic crash and the subsequent anguish of imagining how his life might have turned out, I thought it would make the perfect visual metaphor for the subject of the song."

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Strangers Like Us is described as "a document of an especially tough period in Versteeg’s life, and ultimately arrives at undeniable courage in its commitment to truth-telling and unsparing self-examination." It was produced by Chris Coady (Amen Dunes, Beach House, Future Islands) and recorded at two famed US studios (Sunset Sound in LA and Sonic Ranch in the Texas border town of Tornillo). Guest musicians include Katy Goodman of Vivian Girls (on vocals), Charlie Spencer of Dizzy (keys, drums), and Versteeg’s Hollerado bandmate Nixon Boyd (guitar, bass).  

Count us amongst those very eager to hear more.

Links

Website

Instagram

Twitter 

Publicity: Conor, Hive Mind PR

Agent: Steven Himmelfarb, Feldman Agency

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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