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Matt Zimbel Humour: Streamers To the Rescue

In December, I wrote in these pages of the paucity of payments coming to musicians from the streaming sites.  Little did I know, that just four months later, the rest of the industry would collapse

Matt Zimbel Humour: Streamers To the Rescue

By Matt Zimbel

In December, I wrote in these pages of the paucity of payments coming to musicians from the streaming sites.  Little did I know, that just four months later, the rest of the industry would collapse, when a vicious virus rode into town and shut down live.  


What we do for a living has been vaporized.

Apple Music, Spotify and the gang have all found creative solutions to aid musicians because, um, they do not pay them fairly at the source.  

In Canada, Spotify contributed an “undisclosed amount” and will match donations to the non-profit emergency charity Unison Benevolent Covid 19 Fund, which helps people in the music industry with counselling and financial assistance.

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Of course, the Slaight Family Foundation came up with a wack of dough, as they always seem to do. They pledged 125K to Unison for the Benevolent Covid 19 Fund, which Unison matched. 

You know, as a very rich guy myself, those Slaights are starting to piss me off.  

My excessive wealth is rarely spoken of, but back in the eighties, during disco but before drum machines were invented, conga playing was very lucrative. So, yes, I try to give, I try to do my part, but the Slaights always seem to be one step ahead of me. Do you know how many times I’ve tried to give to a theatre company or a hospital or an indie label focused on emerging artists only to be told, “sorry, the Slaights got here first, we can’t use your money”? It’s very frustrating. I guess I’ll just have to keep my money for my very large brood of children, some of whom I have not yet met* (see- conga playing in the ’80s.)

But here’s the breaking good news! 

Spotify will be adding a new feature to its platform – a “Tip Jar” for musicians!  This way fans can directly tip a musician they like. And then after Spotify takes their cut for the shareholders and the record company and the distributor take their cut, the artist gets what’s left! So rather than Spotify paying a reasonable fee for the use of our copyright, they have found a wonderful workaround, one in which you, the listener, can pay instead, while they increase their profits!

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Pure evil or MBA genius?

I guess that depends on your point of view.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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