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FYI

Jill Barber: Girl's Gotta Do

The stylistically eclectic Vancouver singer/songwriter teases a new album with a vibrant R&B-inflected lead single. Co-written with Ryan Guldemond of Mother Mother, its message of female empowerment is timely in this era of #MeToo.

Jill Barber: Girl's Gotta Do

By Kerry Doole

Jill Barber - "Girl's Gotta Do" (Outside Music): Pinning down this Vancouver-based singer/songwriter stylistically is about as easy as finding a grain of truth from the mouth of El Presidente. She first made a major mark as a retro-sounding and sweet-voiced jazz/pop singer, but effectively detoured into roots territory in 2016 with Family Album, a duo record with brother Matthew Barber.


We're not sure what to expect on her imminent solo album Metaphora, coming out on June 22, based on this lead single. "Girl's Gotta Do" is a co-write with Ryan Guldemond of Mother Mother, not the most obvious choice for Barber. It is shaping up as a hit, however, recently hitting No. 1 on CBC Music's Top 20 Chart after just five weeks.

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The track shows increased vocal vigour on Barber's part, and there's an upbeat R&B tinge to it. A label press release quotes Barber as explaining that the song is lyrically designed "to challenge the patriarchal status quo, as we usher in a new era of equality. " A timely topic indeed.

Another label release explains that "Metaphora is a continuation of Barber's musical story that confidently tackles everything from issues of empowerment, sexual politics, the complications of love, and depression. It's introspective and personal. It's also a dance party." The primary producer on the album is Gus Van Go (Whitehorse, Arkells, Terra Lightfoot), while Guldemond co-wrote three other tracks.

Barber will tour extensively through the summer and fall, beginning with a June 18 appearance at the Winnipeg Jazz Festival. She has dates in the Maritimes, Quebec, Ontario and the West, Sept. through Nov. 

Links

Artist website

Facebook

Twitter

Bandcamp

Publicity: Stephanie Hardman, Outside Music

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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