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FYI

Five Questions With… Dave Bidini

The indie rock hero and prolific author is also the publisher of Canada’s newest print newspaper, West End Phoenix. He hosts a telethon for the non-profit publication in Toronto on Saturday, and he discusses the project in this interview.

Five Questions With… Dave Bidini

By Jason Schneider

On Saturday, June 9, Canada’s newest print newspaper, West End Phoenix, will stage a telethon (remember those?) from 10 a.m. to 4 p.m. at Toronto's redoubtable Gladstone Hotel in efforts to drive subscriptions and re-subscribe existing supporters.


The telethon will be live-streamed on the West End Phoenix YouTube channel. Host and publisher Dave Bidini (also of Rheostatics) will be joined by house band Mercenaries, who will play selections from the Wheel of Song, which subscribers will get to spin. The WEP Telethon will also feature banks of operators taking calls from re-subscribers and accepting subscriptions and donations on site. Scheduled telethon guests include Atom Egoyan and TSN’s Jay Onrait, along with performances by Michie Mee, Sam and Andrew Cash, and Sloan's Chris Murphy.

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Bucking media trends, West End Phoenix, launched as a print newspaper in 2017, has published over 300 writers and artists in its first year. WEP is a non-profit, patron and subscriber-supported home delivered broadsheet and remains ad-free with 2000 subscribers.

The WEP Telethon number is already live—1-866-416-NEWS—to call in and hear testimonials by subscribers such as actor Denis Leary as well as poetry by Claudia Dey and music by Rheostatics with Alex Lifeson (a regular contributor) and Kevin Hearn. There will also be a draw for one lucky subscriber to win two nights at the Windermere House Resort Hotel in Muskoka, courtesy of Windermere and West End Phoenix. For more info, go to westendphoenix.com.

 

How did you come up with the idea to do a telethon?

Christina Zeidler, who runs Gladstone, and Janet Morassutti, who is our managing editor, looked at each other and joked: “Our operators are standing by to take your call!” And then we just started dreaming. 

West End Phoenix has been publishing since October. How would you describe the response?

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We’ve had a very positive response. It’s a challenge every day to keep spreading the word because of a small staff, but we are overwhelmed by how much people love it.

The paper bills itself as serving its community, but you have many high-profile contributors filing from across the country. Do you foresee the paper expanding its reach?

We have about 300 subscribers across the country to whom we mail, so definitely. 

It's perhaps ironic that the paper is based in "Ford Nation." Is this something you're conscious of?

No, not exactly. We serve most of the West End of the city, although we do cover some stuff west of Humber [Etobicoke]. But our catchment is Humber to Spadina, and from St. Clair to the Lake. Still, we have all kinds of subscribers of every stripe.

Do you think West End Phoenix could be a model for other potential community papers in Canada?

It’s hard to say if we’re successful yet. We’ll see!

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Paul McCartney

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Paul McCartney Announces Reflective ‘The Boys of Dungeon Lane’ Solo Album, Drops Wistful ‘Days We Left Behind’ Single

The 14-track collection of songs inspired by McCartney's youth and he played the majority of the instruments on it.

Paul McCartney is going back to the start on his upcoming 18th studio album, the nostalgic The Boys of Dungeon Lane. The 14-track collection announced on Thursday morning (March 26) is due out on May 29 through MPL/Capitol Records and is prefaced by the wistful first single, “Days We Left Behind.”

McCartney’s first release since 2020’s McCartney III is described in a press release as a look backward at the former Beatle’s formative years, revisiting those youthful times that “shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.”

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