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FYI

CMRRA Forecast 2019

Looking back at 2018, Canadian Musical Reproduction Rights Agency Ltd.

CMRRA Forecast 2019

By External Source

Looking back at 2018, Canadian Musical Reproduction Rights Agency Ltd. (CMRRA) was pleased to see the decision of the Minister of Canadian Heritage and the Minister of Innovation, Science, and Economic Development to provide support for the operations of the Copyright Board of Canada. The proposed changes will strengthen the Board and allow it to play an integral role in the Canadian creative industries when it is needed.


Looking forward to 2019, we support the Canadian Government’s ongoing review of the Copyright Act. Specifically, we ask that they:

  1. Amend the exceptions introduced in 2012 for backup copies (section 29.24), technological processes (section 30.71), ephemeral copies (section 30.9(6)), and hosting services (subsection 31.1(4)) to restore balance and address unintended consequences.

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  2. Amend the Copyright Act to authorize a court, on application by a rightsholder, to grant a site-blocking or de-indexing injunction against an Internet intermediary, on a “no-fault” basis to the intermediary.

These changes are important to ensure that music publishers and songwriters are paid fairly and start to address the value gap that has emerged over the last decade. 

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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