advertisement
FYI

CMRRA Expands To Collect International Mechanical Royalties

The Canadian Mechanical Reproduction Rights Agency (CMRRA) is working with new global partners to provide music publishers and self-published songwriters an option to use the agency as a one-stop shop.

CMRRA Expands To Collect International Mechanical Royalties

The Canadian Mechanical Reproduction Rights Agency (CMRRA) is working with new global partners to provide music publishers and self-published songwriters an option to use the agency as a one-stop for international licensing and royalty collections.

Mandated by US congress via the Music Modernization Act, the Mechanical Licensing Collective (MLC) launched on January 1, 2021. Digital service providers will be paying mechanical royalties for streaming to the MLC, both for prior periods and on a going-forward basis.


As a member of the MLC, CMRRA will work to ensure that, for those publishers who sign up for MLC collection, their repertoire will be properly registered so that past and future US digital mechanical royalties are flowing efficiently, in line with the same service levels provide to member orgs for Canadian royalties.

advertisement

CMRRA is also working in phases to implement international collections with IMPEL, and will begin with their Core Territories, which include the European Economic Area (including the UK and Switzerland) to Eastern Europe, the Middle East and North Africa. In future phases we will expand to include additional IMPEL territories, with coverage for Latin America and India.

The CMRRA will be collecting digital mechanical royalties from the MLC and IMPEL. For the MLC, this includes streaming digital services and downloads. For IMPEL, the mandate is broader, and encompasses standard DSP streaming and digital downloads, as well as audio-visual uses by Facebook and YouTube. Upon receipt of distributions from the MLC & IMPEL, payments will be included in the regular flow of our quarterly cycles.

Members and interested parties can visit CMRRA’s International Collections page and download the agreement. A complete and detailed International Collections FAQ section exists to help anticipate your queries and guide you through this new service.

If you’re a songwriter without a publishing deal, you can become a client of CMRRA to collect your royalties. There is no fee to join and CMRRA only takes an administration fee once you earn royalties.

advertisement

advertisement
The Weeknd at the "Mission: Impossible – The Final Reckoning" U.S. premiere held at Lincoln Center Fountain Plaza on May 18, 2025 in New York, New York.
Kristina Bumphrey/Variety

The Weeknd at the "Mission: Impossible – The Final Reckoning" U.S. premiere held at Lincoln Center Fountain Plaza on May 18, 2025 in New York, New York.

Rb Hip Hop

The Weeknd Appears to Do About-Face on Retiring Stage Name: ‘Imma Be Here Forever With You’

The artist born Abel Tesfaye said in 2025 that he'd "mastered" his alter ego and needed a new challenge.

Like a professional boxer who just can’t quit the ring, Abel Tesfaye can’t cut The Weeknd short. The singer revealed over the weekend that he’s reconsidered plans he announced last year to retire his stage persona. “It’s a headspace I’ve gotta get into that I just don’t have any more desire for,” he continues. “You have a persona, but then you have the competition of it all. It becomes this rat race: more accolades, more success, more shows, more albums, more awards and more No. 1s. It never ends until you end it.”

Tesfaye has been releasing music as The Weeknd since 2011, but last year when asked by Variety magazine to explain social media teasers for his then-upcoming Hurry Up Tomorrow album that read: “The Weeknd/ The End is Near/ 8 beautiful chapters in this story,” he said he was considering retiring the name after he wrapped up his already-on-the-books commitments.

keep readingShow less
advertisement