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FYI

CISAC Reports 10.7% Decline In Global Music Collections

Worldwide royalty collections for originators of music, audiovisual, art, drama and literary works fell by 9.9% in 2020, with losses amounting to more than US1.4 billion as a result of the global p

CISAC Reports 10.7% Decline In Global Music Collections

By External Source

Worldwide royalty collections for originators of music, audiovisual, art, drama and literary works fell by 9.9% in 2020, with losses amounting to more than US1.4 billion as a result of the global pandemic.


Total collections fell to nearly $12.7B as lockdown measures saw live and public performance revenue nearly halve across the world, according to the latest annual Global Collections Report published by CISAC (International Confederation of Societies of Authors and Composers).

The decline was partly mitigated by a strong rise in digital royalties, reflecting the sharp increase in audio and video streaming consumption worldwide and strong licensing activity by many of CISAC’s member societies around the world.

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Key trends reported include:

  • Live and public performance fell 45% to approximately $2.2B, with live concert revenue down by an estimated 55%

  • Digital collections rose 16.6% to $3.3B

  • TV and radio broadcast, creators’ largest income source, fell 4.3% to $5.1B

  • Music collections, comprising 88% of the total, declined 10.7% to $11.25B.

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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