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FYI

Bryan Adams Calls For Copyright Laws To Change

Appearing in Ottawa on Tuesday morning, Bryan Adams urged the federal government to amend the Copyright Act to give artists more ability to regain control of their works after they've been sold.

Bryan Adams Calls For Copyright Laws To Change

By External Source

Appearing at the House of Commons heritage committee Tuesday morning, Bryan Adams urged the federal government to amend the Copyright Act to give artists more ability to regain control of their works and songs after they've been sold to a company.


As it stands today, companies which have the rights to work by musicians, authors, composers and other creators have the legal right to retain these rights for 25 years after the artist's death. Adams is calling for a change to the act that would limit those companies to exclusive rights for 25 years after the initial sale of the rights — more than enough time, he said, for labels to commercially exploit artists.

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"This would be a very big step in the right direction, to help composers and authors in Canada to own and control their work," he said.

The committee is studying remuneration models for artists and creative industries as part of the statutory review of the Copyright Act and is hearing from a broad range of stakeholders and experts. – CBC News

Watch the entire standing committee hearing Tuesday morning

Adams in a media scrum following the hearing

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David Farrell
Bill King

David Farrell

Media

“I’ve Made a Heaven On Earth”: A Final Interview with Influential Canadian Music Journalist David Farrell

Shortly before he passed away, the founder of The Record, FYI Music News and editor at Billboard Canada sat down for a series of interviews looking back at his life and career.

David Farrell had a major impact on the Canadian music industry – through The Record, FYI Music News and the first authoritative music charts in the country.

But for all his trade writing, editing and publishing, including multiple stints as a Billboard editor, his voice rang through especially in conversation. He punctuated his declamations about the state of music or its institutions with off-colour jokes (often apologizing shortly after) and a dry English wit that cut to the heart of whatever point he was making.

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