advertisement
FYI

Born Ruffians: Miss You

The Toronto ensemble headlines a series of hometown shows following the release of a new album and teasing both is a fine new single that will tickle the fancy of alt and mainstream fans.

Born Ruffians: Miss You

By Kerry Doole

Born Ruffians - "Miss You" (Paper Bag): In understated but very steady fashion, this Toronto indie rock band has gained an impressively large and loyal fan base, ten years into their career. This fact is notably reflected by the ensemble having already sold out three of five shows they play at hometown's Lee's Palace in April.


A new album, Uncle, Duke & The Chief, comes out on Feb. 16, and "Miss You" is the latest single from it. It is both quirky and catchy, two characteristics common to Born Ruffians' material.

A phalanx of backing vocals helps ask the oft-spoken query; "do you miss me the way I miss you, baby?" There is definite earworm potential here, with heavy modern rock radio play expected.

advertisement

The album itself is reported to feature meditations on mortality and other intense themes, but not in a bleak fashion. In a label press release, the primary songwriter, Luke Lalonde, explains “there’s some dark shit on here,” but adds that "I think a lot of the death talk on the record is more about how death can be a wondrous and wonderful thing, in a way.”

The group's extensive North American tour begins at Montreal's Casa Del Popolo on March 1, concluding at Subterranean in Chicago on May 19. A full itinerary here

advertisement
Tei Shi
Courtesy Photo

Tei Shi

Features

How Tei Shi Freed Herself from The Music Industry to Take Control of Her Career

After years of working with teams that left her feeling frustrated and unsupported, the Colombian-Canadian artist tells Billboard Canada how she's returned to her indie roots with the confident, vulnerable new album 'Valerie.'

At the end of 2020, Tei Shi was far from her L.A. home, in a dark London basement, trying to do something she hadn’t done in months: write a song.

She had spent the previous half-year of pandemic lockdown coming to a slow realization that she needed to regain control of her career. For the second time, the Canadian-Colombian singer was in a label deal that wasn’t working, with a team she didn’t feel supported by. The loss of autonomy was stifling her creative voice. “I felt like I stopped being able to hear myself,” she says.

keep readingShow less
advertisement