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FYI

Is Billie Eilish Forcing Radio To Change?

The following is an opinion piece published this week in the US online trade publication

Is Billie Eilish Forcing Radio To Change?

By External Source

The following is an opinion piece published this week in the US online trade publication Hits Daily Double.

Our only national Top 40 station has thrown down the gauntlet. Kid Kelly’s decision to add three singles from Darkroom/Interscope’s Billie Eilish simultaneously at SiriusXM’s Hits 1 is, as far as we know, unprecedented for any Pop format—and an index of how radically the music world is changing.


Adding three tracks from any artist would be extraordinary, let alone an act who’s never had a hit before and never had callout.

Multiple songs by one act can blow up on the streaming platforms, and it doesn’t matter if the artist in question has had hits before. But radio has been another matter—at least until now. Republic’s killer promo staff has worked scrupulously to get two records on the air at a time from stars like Ariana Grande and Post Malone. They’ve done a yeoman’s job. But this happened only after these artists were already proven successes at Pop.

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Billie is huge, and she’s only getting bigger. So maybe the callout problems her songs have been facing deserve about the same consideration as the callout that said “Shallow” from A Star Is Born wasn’t a hit. The callout is wrong.

Maybe both the callout research companies and the consultants who tell stations to be tighter and later are the ones who need to adjust.

It’s a new day. No Kidding.

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Yuhan, EJAE, ZHUN, Mark Sonnenblick, NHD and 24 accept the Original Song award for "KPop Demon Hunters" onstage during the 98th Oscars at Dolby Theatre on March 15, 2026 in Hollywood, California.
Kevin Winter/Getty Images

Yuhan, EJAE, ZHUN, Mark Sonnenblick, NHD and 24 accept the Original Song award for "KPop Demon Hunters" onstage during the 98th Oscars at Dolby Theatre on March 15, 2026 in Hollywood, California.

Awards

‘Golden’ From ‘KPop Demon Hunters’ Wins Best Original Song at 2026 Oscars, But Speech Is Cut Short

EJAE spoke on behalf of the seven-person team behind the song, but when one of her co-writers started speaking, their acceptance speech was played off.

“Golden” from KPop Demon Hunters took home the prize for best original song at Sunday’s 2026 Oscars following a triumphant performance from the singing voices of HUNTR/X, but EJAE and company’s heartfelt speech ended up being cut short when one of her collaborators was prematurely played off.

By winning best original song at the 98th Oscars, “Golden” set several records, becoming the first K-pop song to win an Oscar; the first song with more than four writers to win an Oscar; and the first best song winner where all of the writers won’t receive an individual trophy.

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