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FYI

The Avulsions: The End

This post-punk combo from Saskatoon recently announced signing to Calgary-based label Flemish Eye. This dark yet bracing debut single features crunching guitars, jackhammer percussion, and the icy vocals of lyricist Samantha Renner.

The Avulsions: The End

By Kerry Doole

The Avulsions - "The End" (Flemish Eye): This post-punk combo from Saskatoon recently announced it had signed to Calgary-based label Flemish Eye, home of Chad VanGaalen and Preoccupations. A debut album, Expanding Program, is scheduled for a March 16 release, and this first single is a highly promising beginning.


It features crunching guitars and jackhammer percussion underpinning the moody and icy cool vocals of Samantha Renner, while her dark lyrics and the title of "The End" reportedly reflect the uneasy and dystopian feel of the upcoming album. It was recorded over the space of a year in the synth-filled home studio of group member Josh Rohs, with mastering by Harris Newman (Wolf Parade, Ought, Godspeed You! Black Emperor).

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The classically-trained Renner formerly fronted the band Phalec Baldwin, and hosting a weekly radio show helped shape her art-rock and post-punk leanings. She is indisputably a force to be reckoned with.

The Avulsions have already had an impact through appearances at such noted festivals as Sled Island, Halifax Pop Explosion, and England's The Great Escape.

Daryl Weeks at Stage Fright Publicity is handling press.

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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