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FYI

Ascot Royals: Evil I Know

This cut from the new EP New Skin is rapidly making a mark on radio. It is easy to hear why, as it is a textbook example of how to give a three-minute rock song real dynamism. There is perceptive social commentary at work here too.

Ascot Royals: Evil I Know

By Kerry Doole

Ascot Royals: "Evil I Know" (Slaight Music/Sony Music Canada): This Toronto-based modern rock quintet made a splash last year at radio with the single "The Best Is Yet To Come." That title is proving prophetic, as Ascot Royals have just delivered a new cut that is a bona fide winner.


It begins with a strummed guitar and the passionate vocals of Jimmy Chaveau, then builds quickly with hand claps, shouted 'hey's, and layered keyboards and guitars, then repeats this pattern in a textbook example of how to give a three-minute rock song real dynamism.

Lyrically, it tellingly probes life in these volatile times. "People are crazy these days, drawing lines in the sand, something I don't understand," it observes, adding "building walls like it's a game, I wonder what they're hiding."

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The new track comes on the heels of the band's recently-released New Skin EP, which featured collaborations with such notables as producers Gavin Brown (Metric, Billy Talent), Eric Ratz (Monster Truck, Arkells), Gianni Luminati (Walk of the Earth, Steve Aoki) and Neil Sanderson (Three Days Grace), and showcases Ascot Royals as one to watch very very closely.

A rip-roaring combo in performance, Ascot Royals are now winning new fans on an extensive cross-Canada tour with Big Wreck. Dates here

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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