advertisement
FYI

Anti-Black Racism in the Canadian Music Industry: Vol. 1 Released

The ground-breaking 23-page report is now available on the Canadian Independent Music Association (CIMA) and Breaking Down Racial Barriers’ websites. It concludes with a Declaration to end anti-Black racism in the Canadian music industry.

Anti-Black Racism in the Canadian Music Industry: Vol. 1 Released

By Karen Bliss

Anti-Black Racism in the Canadian Music Industry: Volume 1 is now available on the Canadian Independent Music Association (CIMA) and Breaking Down Racial Barriers’ websites and the directive to members of the Canadian music industry is simple: Read it.


“The report should just be seen as a step in the process towards the eradication of anti-Black racism. It is an executive summary. There is more to come,” said author Ian Andre Espinet during the CIMA discussion about Volume 1 on Feb. 28. “This is an ongoing conversation.”

The report — co-produced by Espinet and David “Click” Cox after they booked and co-hosted a 10-part web series in 2020 with over 60 Black music professionals called Breaking Down Racial Barriers — is 23-pages, including recommendations.

advertisement

Added at the conclusion is the Breaking Down Racial Barriers Declaration to end anti-Black racism in the Canadian music industry, which, to date, has been signed by more than 500 members of the music industry from individuals to major corporations, associations and government organizations.

CIMA also announced the launch of a resources section on its website under “equity” with a submission form for additional recommendations.

The Foundation Assisting Canadian Talent on Recordings (FACTOR), the Government of Canada (through the Canada Music Fund), Ontario Creates, and the Radio Starmaker Fund helped support the report.

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement