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FYI

2022 Prism Prize Eligible Video: Goodbye Honolulu - Over and Over

The 2021 Prism Prize for Best Canadian Music Video was recently awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from a Toronto indie rock band.

2022 Prism Prize Eligible Video: Goodbye Honolulu - Over and Over

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The 2021 Prism Prize for Best Canadian Music Video was recently awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from a Toronto indie rock band.


Goodbye Honolulu - Over and Over 

The members of Toronto based band Goodbye Honolulu have been navigating the music scene since they met in high school. The group is passionate about '60s garage rock, '80s new wave, punk, and electronic music, which is reflected in the stylings of their varied songs. Songwriting is a collaborative process for the group, and with no defined frontman they rely on their diversity of sound to carry them to the next level of artistry. 

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When asked about Over and Over, the group stated that the meaning behind it was pretty clear - "it's about the daily repetitiveness of a monogamous relationship and the ever-growing numbness to things that once made one jealous”

Visuals for Over and Over are directed by group member Emmett S. Webb’s father, Steve Webb, and follow the group as they roam the streets of Toronto on a late night out. With darkened alleys lit by fading neon signs we watch as the group moves from bars to staircases, grooving with the music and displaying this feeling of old-school coolness. Steve Webb was clear about his direction in the song - “The sleazy 70s disco vibe conjured up images of the 1970s.”  We can see Goodbye Honolulu’s influence of new and old with this video, a simple but classic set of visuals. 

Directed by Steve Webb 

Cinematography: Aiden Barnes, Ben Roberts & Jaek Eastcott 

Editing & Colouring: Ricky Toro 

Special Effects: Shuba Dasgupta, Farren Whitaker, Phil Maurais 

Titles: Emmett S. Webb & Isaac Roberts 

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Choreographed: Anna Collins

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Courtesy Photo

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FYI

Music News Digest: Calgary's Sled Island Announces 2026 Lineup, An All-Star Tribute to Dave Bookman in Toronto

Also this week: SOCAN elects its new board of directors, Headwater Music Group partners with ADA Canada to support blues-rock artist Jimi, Miranda Mulholland's Muskoka Music Festival turns 10 and more.

The musically adventurous Calgary music festival Sled Island has just announced its full lineup. New additions include hyperpop rapper Lil Mariko (in her Canadian debut), illuminati hotties, alt-rock group Palehound, Indigenous electronic cello ensemble Cris Derksen Quartet, noisy Midwest slowcore outfit Flooding, Canadian indie rock project Fanclubwallet, mask-wearing thrash punks TEAR DUNGEON, genre-bending post-punk artist J.R.C.G., New Mexico-based pop-punk band Weedrat, and the final two guest curator selections: experimental musique concrète project Cooling Prongs, and Nigerian‑American pianist Sharon Udoh (who will also be joining fest curators clipping. for their performance at The Palace Theatre on June 20).

Emerging acts joining this year’s lineup include award-winning Plains Cree hip-hop artist Drezus, Winnipeg indie rockers Virgo Rising, Whitehorse-based “gateway metal” duo FRANKLIN, ambient pedal steel performer Wayne Patrick Garrett, dance-inspired electronic artist Eejungmi, San Francisco experimental pop project Tricky FM, Toronto-based art rockers Kali Horse, high-energy cow-punk ensemble Spank Williams, post-hardcore powerhouse Midnight Peg, operatic post-punk four-piece Shunk and many, many more. There'll also be comedy acts, a drag brunch, DJ sets and an art exhibit, plus conference panels in the Central Library on June 19. Passes and tickets are on sale now here.

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