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FYI

Lorde Debuts At No. 6 and Charlie Returns Stones To Albums Chart

The Kid Laroi’s F*ck Love holds at No. 1 for the third non-consecutive week on the Billboard Canadian Albums chart and again scoring the highest on-demand stream total in the week.

Lorde Debuts At No. 6 and Charlie Returns Stones To Albums Chart

By FYI Staff

The Kid Laroi’s F*ck Love holds at No. 1 for the third non-consecutive week on the Billboard Canadian Albums chart and again scoring the highest on-demand stream total in the week.


Helped by a new vinyl release of the album, Olivia Rodrigo’s Sour skips 4-2 with the second-highest album sales total for the week.

Doja Cat’s Planet Her falls one position to No. 4.

The highest debut for the week belongs to Trippie Redd’s Trip at Knight, at No. 4. This is his highest charting release to date, surpassing the No. 5 peak of his 2018 Life’s A Trip. It is his sixth straight top ten album.

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Lorde’s Solar Power debuts at 6, picking up the highest album sales total for the week. It is her first release since 2017’s Melodrama hit No. 1.

Two other new releases debut in the top 50, with Punjabi singer/actor Diljit Dosanjh’s Moonchild Era, at 32 and South Korean boy band Tomorrow x Together’s The Chaos Chapter: Freeze at 49.

Following the passing of Charlie Watts, the Rolling Stones’ Hot Rocks 1964-1971 compilation pops 95-40.

– All data courtesy of SoundScan with additional detail provided by MRC Data's Paul Tuch

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Will Bracey
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Will Bracey

Chief Operating Officer (COO)

Justin Bieber has entered a new chapter of independence — defining his career through ownership, intentional decision-making and a more direct creative and business structure. Widely regarded as one of his generation’s most influential artists and cultural figures, he has approached this shift with a renewed sense of authorship, architecting a model that places creativity and long-term vision fully in his hands.

This approach comes into focus through the establishment of The Bieber Family Office, which Justin now uses to take greater control of his creative and business decisions. In 2025, he released his seventh studio album, SWAG — a project he fully owns — which became a global success and debuted at No. 1 on the Billboard Canadian Albums Chart. He continued shaping this new chapter with a multi-million-dollar Coachella 2026 headlining deal secured outside traditional agency channels.

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