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FYI

2018 Slaight Family Polaris Heritage Prize Winners Named

This prestigious Prize honours Canadian albums from four pre-Polaris Music Prize eras. This year's list features the return of Neil Young and Rush, with Broken Social Scene, Dream Warriors, Bruce Cockburn, and others making a debut appearance.

2018 Slaight Family Polaris Heritage Prize Winners Named

By FYI Staff


This prestigious Prize honours Canadian albums from four pre-Polaris Music Prize eras. This year's list features the return of Neil Young and Rush, with Broken Social Scene, Dream Warriors, Bruce Cockburn, and others making a debut appearance. The winners of the Prize, supported by Re:Sound, and awarded by public and juried votes, are as set out below.

1960-1975

Public: Neil Young – Everybody Knows This Is Nowhere

Jury: Jean-Pierre Ferland - Jaune

1976 – 1985

Public: Rush - 2112

Jury: Bruce Cockburn – Stealing Fire

1986-1995

Public: Alanis Morissette – Jagged Little Pill

Jury: Dream Warriors – And Now the Legacy Begins

1996-2005

Public: Broken Social Scene – You Forgot It In People

Jury: Kid Koala - Carpal Tunnel Syndrome

These will be the second albums from Neil Young and Rush to receive Heritage Prize designation. All other acts are receiving their first such recognition.

The winners were chosen from four short lists, each representing a different musical era and curated by a Heritage Prize jury of music historians and music media. Two winners for each era were chosen — one by public vote and one by the jury.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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