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Sidhu Moose Wala Spends Second Week on Canadian Hot 100 With "Drippy"

The posthumous single from the influential Punjabi artist, featuring MXRCI and AR Paisley, is charting again this week. Beyoncé also debuts with Canadian-penned single, "Texas Hold Em."

Sidhu Moose Wala

Sidhu Moose Wala

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After a debut in the top ten last week, his highest chart performance ever, the late Punjabi musician Sidhu Moose Wala spends a second week on the charts with "Drippy." The posthumous single, produced by MXRCI and featuring Canadian artist AR Paisley, lands at No. 56 on the Canadian Hot 100 this week. The song has also amassed nearly 25 million YouTube views in two weeks and is making international news.

BBC reported on the song's chart impact this week, speaking with Billboard Canada editor Richard Trapunski about the song's high debut, and how it indicates the broader momentum of Punjabi music in Canada, as well as the special place that Sidhu Moose Wala holds within that growth.


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Elsewhere on the chart, Beyoncé's "Texas Hold Em," debuts at No. 11 in Canada, and at No. 2 on the U.S. Hot 100. It also topped the Country Songs chart, making Beyoncé the first Black woman to do so. Though it's performing better south of the border, the song has a strong Canadian connection. Three Canadian songwriters — Lowell, Bülow and Nathan Ferraro — assisted in penning it, and Ferraro also co-produced the track, which comes ahead of the superstar's new album, Act II, out March 29. Another single from that album, "16 Carriages," debuted at No. 78 in Canada, and features production and performances by Canadian Dave Hamelin of The Stills.

Canadians are otherwise fairly absent from the chart this week. Tate McRae's "Greedy" drops two places to No. 4, Drake's "Rich Baby Daddy" falls six places to No. 35, and LU Kala's "Hotter Now" spends its thirteenth week on the Canadian Hot 100 at No. 58. McRae has two other charting songs, and Drake has three.

Check out the full chart here.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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