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Rock

'When I'm Back in Toronto': The Beaches Put Their Spin on Djo's 'End of Beginning'

The Canadian quartet turn the viral alt-rock song into a Springsteen-esque '80s ballad for Australian broadcaster Triple J's Like a Version series.

The Beaches
The Beaches
Meg Moon

Canadian pop rockers The Beaches stopped by the Triple J studio in Sydney, Australia to record their take on a viral hit.

For the popular cover series Like a Version the band decided to try on "End of Beginning" by Djo, a nostalgic alt rock tune that hit No. 1 on the Billboard TikTok Top 50 in February. They bring their reverb-heavy '80s sound to the track, giving it a more anthemic edge. On the bridge, lead singer Jordan Miller taps into a Springsteen-ian energy as she sings the refrain: "you take the man out of the city / not the city out the man."


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Guitarist Kylie Miller explained that the band has been following Djo — aka Stranger Things' Joe Keery — for his acting work, but fell in love with "End of Beginning" and its reflections on missing home.

"I think it just made sense for us to cover this song while we are the farthest we’ve ever been from home," Miller said.

Though Keery sings about Chicago, The Beaches opt for a cheeky lyric change in the final chorus, shouting out their hometown instead: "And when I'm back in Toronto / I feel it," Miller sings.

Watch the performance below.

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Kristy Fletcher

Kristy Fletcher

Business

Kristy Fletcher On Supporting Canadian Music 'From Birth to Myth' at CARAS and MusiCounts: Interview

Amidst a record $1.4 million donation to support music education in Canadian schools, the president of MusiCounts and chief operating officer of CARAS will accept the Impact Award at Billboard Canada Women In Music 2026.

In her dual role as the president of MusiCounts and the chief operating officer of CARAS, the organization behind the Juno Awards and the Canadian Music Hall of Fame, Kristy Fletcher influences every stage of a Canadian musician's career.

Through music education charity MusiCounts, she's there at the beginning, providing access to instruments and musical education to give youth a chance to make music in the first place. At CARAS, she's able to foster and develop the industry and recognize artists at the Juno Awards. That continues all the way until the later stages of their career, when they become Hall of Famers.

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