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Rock

Deftones Pay Tribute to Mastodon's Brent Hinds at Tour Kick-off Show in Vancouver

On the initial night of their Private Music tour, the alt-metal band dedicated the 2012 track, "Entombed," to Hinds, marking the track's first time being played in eight years.

Deftones

Deftones

Clemente Ruiz

Deftones paid respect to a heavy metal icon in Vancouver.

Last Friday (August 22), on the opening night of their Private Music tour, the alt-metal band performed their track “Entombed” at Rogers Arena, dedicating it to the late Mastodon co-founder and guitarist, Brett Hinds, who died last week in a motorcycle accident.


About halfway through the band’s set, they played the track from 2012's Koi no Yokan, which peaked at No. 13 on Billboard Canadian Albums chart — it hadn’t been played live since 2017.

“I dedicate this song to a very dear friend, Mr. Brent Hinds,” the band’s frontman, Chino Moreno, told the crowd before launching into the song, which elicited cheers from the crowd. In 2010, Mastodon toured with Deftones and grunge band Alice in Chains.

Throughout the night, the band debuted three new songs —“My Mind is a Mountain,” “Infinite Source” and “Milk of the Madonna” — live from their album, Private Matter, which was released on Friday.

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After their stop in Vancouver, Deftones will continue to tour across the nation, including this week’s dates at Calgary’s Scotiabank Saddledome (August 25) and Winnipeg’s Canada Life Centre (August 27). Next month, they’ll perform two shows at Toronto’s Rogers Stadium on September 3 and 5, followed by Quebec City’s Centre Vidéotron on September 7 and Montreal’s Centre Bell on September 9.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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