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Rb Hip Hop

Lil Baby Didn’t Love Kendrick Lamar Dropping His Name on ‘Not Like Us’: ‘I Ain’t Really Into That Side of Hip-Hop’

He told Charlamagne Tha God that he tries to treat being a rapper like work.

Lil Baby at the ceremony hosted by ASCAP honoring Usher and Victoria Monét held at The London West Hollywood at Beverly Hills on July 27, 2024 in Los Angeles, California.

Lil Baby at the ceremony hosted by ASCAP honoring Usher and Victoria Monét held at The London West Hollywood at Beverly Hills on July 27, 2024 in Los Angeles, California.

Michael Buckner

There’s been a bunch of Lil Baby headlines on Thursday (Dec. 19) as he rolls out his upcoming album WHAM: Who Hard As Me.

He recently sat down with Charlamagne Tha God, where he talked about his relationship with Gunna and getting name-dropped in Kendrick Lamar‘s Drake diss track “Not Like Us,” in which the Compton MC rapped, “You run to Atlanta when you need a check balance/ Let me break it down for you, this the real n—a challenge/ You called Future when you didn’t see the club/ Lil Baby helped you get your lingo up.”


Charlamagne broached the subject by asking the Atlanta rapper about being mentioned on the track that effectively ended the battle. “I ain’t really into that side of hip-hop,” Baby admitted in reference to the genre’s ritual of battling it out on wax for the game’s top spot. He then said he and Drake have “a great relationship” before adding, “It’s just like with any situation: If you and him was arguing, why the hell you gonna say [my name]?”

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He continued by saying he treats rap like work. “I don’t want nothing to do with it,” he said. “Not saying whatever they got going on ain’t real, but I feel like, to me, rappin’ and sh– be my work. I don’t want that type of sh– at work.”

Lil Baby also recently made an appearance on Lil Yachty‘s A Safe Place podcast, where he revealed he quit gambling after losing $8 million and asked his friend, billionaire Michael Rubin, to reach out to certain casinos to ban him from being able to play in their establishments.

This article was originally published by Billboard U.S.

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Great Lake Swimmers
Robert Georgeff

Great Lake Swimmers

FYI

Music News Digest: National Music Centre Opens OHSOTO’KINO Recording Bursary for Indigenous Artists, Great Lake Swimmers Hit The Road

Also this week: Toronto's Our Music Festival returns for a third edition, Wavemakers: Music Futures Conference & Showcase launches in Halifax.

OHSOTO’KINO is an Indigenous programming initiative from the National Music Centre focusing on three elements: creation of new music in NMC’s recording studios, artist development through a music incubator program and exhibitions via the annually updated Speak Up! gallery. The OHSOTO’KINO Recording Bursary program is open to First Nations, Métis and Inuit artists. Two submissions — one for contemporary music, one for traditional genres — will be awarded a one-week recording session at Studio Bell to produce a commercial release. The deadline to apply here is March 1. Past recipients of the bursary include Juno winner Joel Wood, Twin Flames and PIQSIQ.

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